首页> 外文学位 >The salvation plot: Protestantism and the genesis of the novel (Martin Luther, John Bunyan, Samuel Richardson, Sarah Fielding).
【24h】

The salvation plot: Protestantism and the genesis of the novel (Martin Luther, John Bunyan, Samuel Richardson, Sarah Fielding).

机译:救赎的情节:新教和小说的起源(马丁·路德,约翰·本扬,塞缪尔·理查森,莎拉·菲尔丁)。

获取原文
获取原文并翻译 | 示例

摘要

By understanding the properties of a narration that shows a persons struggle for salvation, we uncover fascinating similarities between religious and fictional writing that go beyond historical coincidence. In analyzing early Protestant writing, a comparison is made between religious salvation narratives and plot formations in a variety of novels. What emerges is the existence of the “salvation plot,” which is created out of the tension between law and spirit that lies at the heart of Martin Luther's Reformation writings.; Central to the construction of the “salvation plot” are the treatment of agency and authority. Solafideism, or justification by faith alone, also requires a reconsideration of human agency. The crux of the problem rests on the fact that good works can be shown through action, whereas faith requires a subversion of the will, depicted by restraint and control, or by passivity and stasis. This presents a difficulty in narrating a personal story of salvation, since the willful actions of the “protagonist” cannot work positively to bring the story to the desired conclusion, which is salvation.; The study analyzes John Bunyan's The Pilgrim's Progress, Samuel Richardson's Clarissa, and Sarah Fielding's David Simple as salvation stories that illustrate a similar plot structure because they share a similar theological message. These three salvation stories present a journey, and along that journey the wayfarer surrenders all material things.; The passive actor becomes an observing protagonist in subsequent novels of sentiment. Sarah Fielding's The Governess points the way to this emphasis on the importance of hearing and interpreting other stories within the framed sentimental narrative. In Sir Charles Grandison, also by Samuel Richardson, the issue of spirit vs. law comes into play, as do matters concerning the rejection of parental authority, the value of worldly prosperity and the necessity of having exemplary Christians in society to show us all the way to happiness.
机译:通过了解说明某个人为救赎而奋斗的叙述的性质,我们发现宗教和小说作品之间的迷人相似之处,超越了历史的巧合。在分析早期新教徒的著作时,比较了各种小说中的宗教救赎叙事和情节形式。出现的是“救赎图”的存在,它是由法律和精神之间的张力产生的,而这种张力是马丁·路德(Martin Luther)“改革”著作的核心。 “救助地块”建设的核心是对代理和权力的对待。 Solafideism或仅凭信仰进行的辩护也需要重新考虑人的代理能力。问题的症结在于这样一个事实,即好的行为可以通过行动来表现,而信仰则需要颠覆意志,以克制和控制,或以消极和停滞来描绘。这给叙述个人救恩故事带来了困难,因为“主角”的故意行动不能积极地使故事达到预期的结局,那就是救恩。该研究将约翰·邦扬(John Bunyan)的朝圣者的进步(italic)>,塞缪尔·理查森(Samuel Richardson)的 Clarissa 和莎拉·菲尔丁(Sarah Fielding)的 David Simple 分析为救赎故事,它们说明了类似的情节结构,因为它们分享类似的神学信息。这三个救赎故事讲述了一个旅程,而旅途中的行人投降了所有物质。被动演员在随后的情感小说中成为观察的主角。莎拉·菲尔丁(Sarah Fielding)的 The Governess 指出了这种方式的重点,即在框架式情感叙事中聆听和解释其他故事的重要性。同样在塞缪尔·理查森(Samuel Richardson)撰写的《查尔斯·格兰迪森爵士》中,精神与法律的问题也开始发挥作用,有关拒绝父母权威,世俗繁荣的价值以及有必要树立基督徒榜样的问题也开始发挥作用。在社会上向我们展示通往幸福的道路。

著录项

  • 作者

    Potter, Rebecca Christine.;

  • 作者单位

    Brandeis University.;

  • 授予单位 Brandeis University.;
  • 学科 Literature Comparative.; Literature English.; Literature Germanic.
  • 学位 Ph.D.
  • 年度 2003
  • 页码 283 p.
  • 总页数 283
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 文学理论;
  • 关键词

相似文献

  • 外文文献
  • 中文文献
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号