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Race, romance, and imperialism: Interracial relationships in Victorian literature.

机译:种族,浪漫和帝国主义:维多利亚时代文学中的种族关系。

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My dissertation argues that many Victorians mediated their ambivalent relationships with their imperial subjects through interracial romances in literature, and that these narratives flourished even when British colonial authorities discouraged actual interracial romances. I contend that most of these works do not function as transgressive challenges to Victorian racial ideology, but are ways to acknowledge British desires and fears for their colonial subjects. The interracial narratives manipulate Victorian romantic conventions--especially female sexual agency and male display--in order to heighten or dampen their sexual allure. The free choice of the imperial hero by an attractive native in these narratives validates the superiority of the hero, while sexual coercion by the imperial antihero shows his or her fall into savagery.;Not only did interracial romances offer an avenue for Victorians to express their desires and fears, I contend that the complexity of interracial relationships allowed British authors to explore the complexity of local colonial politics. My project examines a range of canonical and non-canonical authors including Aleph Bey, Joseph Conrad, H. Rider Haggard, Rudyard Kipling, Philip Meadows Taylor, and Robert Louis Stevenson, whose settings for their interracial relationships span India, the South Seas, Jamaica, and Africa. Specific cultural practices--like the taboo traditions in the South Seas, widow abuse in India, and racism in Britain--became ways for the Victorians to acknowledge, and sometimes tame, colonized culture. The varied nature of these relationships reflects changes in attitudes toward the colonies during the nineteenth century and changes in their relationships with different colonized peoples and cultures. The flexibility of these narratives allowed the Victorians to express their divergent and contradictory impressions of indigenous people. I contend that this diversity suggests that Victorians did not have a single racial ideology or belief in "the Other," but a variety of "racisms" and "others."
机译:我的论文认为,许多维多利亚时代的人通过文学中的异族浪漫来调解他们与帝国臣民之间的矛盾关系,并且即使在英国殖民当局不鼓励实际的异族浪漫的情况下,这些叙事也蓬勃发展。我认为,这些作品大多数都不是对维多利亚时代种族意识形态的挑衅性挑战,而是承认英国对其殖民主体的渴望和恐惧的方式。异族叙事操纵维多利亚时代的浪漫习俗-尤其是女性性行为和男性展示-以增强或减弱其性吸引力。这些叙事中有魅力的本地人对帝国英雄的自由选择证明了英雄的优越性,而帝国反英雄的性胁迫表明他或她沦为野蛮人。异族恋情不仅为维多利亚时代的人们提供了表达自己的方式。欲望和恐惧,我认为,种族间关系的复杂性使英国作家得以探索当地殖民政治的复杂性。我的项目研究了一系列规范的和非规范的作者,包括Aleph Bey,Joseph Conrad,H。Rider Haggard,Rudyard Kipling,Philip Meadows Taylor和Robert Louis Stevenson,其人际关系的设置横跨印度,南海和牙买加和非洲。特定的文化习俗-例如南海的禁忌传统,印度的寡妇虐待和英国的种族主义-已成为维多利亚州人承认甚至驯服殖民文化的一种方式。这些关系的多样性反映了十九世纪对殖民地的态度的变化以及它们与不同殖民地人民和文化的关系的变化。这些叙述的灵活性使维多利亚州人能够表达他们对土著人民的不同和矛盾的印象。我认为这种多样性表明维多利亚时代的人对“他者”不具有单一的种族意识形态或信仰,而是各种各样的“种族主义”和“其他”。

著录项

  • 作者

    Doyle, Mark G.;

  • 作者单位

    Indiana University.;

  • 授予单位 Indiana University.;
  • 学科 Literature English.;Sociology Ethnic and Racial Studies.
  • 学位 Ph.D.
  • 年度 2011
  • 页码 241 p.
  • 总页数 241
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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