首页> 外文学位 >Living her narrative: Writing heroines in the eighteenth-century novel.
【24h】

Living her narrative: Writing heroines in the eighteenth-century novel.

机译:活出叙事:在18世纪小说中写女主角。

获取原文
获取原文并翻译 | 示例

摘要

This study traces the emergence of the semi-autobiographical writing heroine in the eighteenth century. The exploration of this character illuminates an overlooked relationship between the two developing and prospering genres of the era: the novel and the autobiography. While critics have for the most part discussed the writing heroine in terms of reductive autobiographical readings, such a method neglects this heroine's illustration of the critical interplay between the autobiography and the novel genres in their nascent stages. This project reveals that eighteenth-century female authors incorporated elements of the emerging autobiographical genre within their fictional works not merely as a means of self-expression, but also in an attempt to help shape the novel form as it evolved.;This study of the heroine writer combines Catherine Gallagher's theory of the Nobody of the fictional novel with autobiographical and narrative theories to investigate the evolution of the semi-autobiographical heroine and her novel. In the first half of the eighteenth-century century the writing heroine participates in and celebrates the flexibility allowed in an open market system. In the second half of the century this figure confronts and challenges limitations that arise from the reformation of fiction that framed the novel as a more didactic form. I argue that the later eighteenth-century woman writer sets up her text to trigger her reader's assumptions of fictionality by including conventional plots of the reformed and feminine novel, such as the depiction of a heroine's courtship and marriage. However, as the semi-autobiographical heroine acts out these plot lines she presents for the reader a self-referential yet sympathetic representation of the author through a figure of the fictional Nobody. With the incorporation of the writing heroine, eighteenth-century female authors could simultaneously use and criticize generic and social conventions that they found limiting in the hopes of exposing such limitation.
机译:这项研究追溯了十八世纪半自传式写作女主角的出现。对这一角色的探索揭示了该时代两种发展和繁荣类型之间的被忽视的关系:小说和自传。尽管评论家们大多从还原性自传读物的角度讨论了写作中的女主角,但这种方法忽略了该女主角在自传与小说体裁处于萌芽阶段之间的关键相互作用的说明。该项目表明,十八世纪的女性作家将新兴的自传体裁的元素纳入其小说作品中,不仅作为一种自我表达的手段,而且还试图帮助塑造这种新颖形式的发展。女主角作家结合凯瑟琳·加拉格尔的小说小说的“无人”理论与自传和叙事理论来研究半自传女主角及其小说的演变。在18世纪上半叶,女主人公的写作参与并庆祝开放市场系统所具有的灵活性。在本世纪下半叶,该人物面临并挑战了小说改编带来的局限性,小说改编将小说定性为更具说教性的形式。我认为,十八世纪后期的女作家通过包括改革和女性小说的传统情节,例如描述女主角的求爱和婚姻,来设置自己的文字,以激发读者对虚构性的假设。然而,当半自传女主角表现出这些情节时,她通过虚构的Nobody形象向读者展示了作者的自我指涉但同情的表现。通过结合写作女主角,十八世纪的女作家可以同时使用和批评他们发现有局限性的通用和社会惯例,以期揭示这种局限性。

著录项

  • 作者

    Fauteux, Laura S.;

  • 作者单位

    University of Southern California.;

  • 授予单位 University of Southern California.;
  • 学科 Literature English.
  • 学位 Ph.D.
  • 年度 2011
  • 页码 210 p.
  • 总页数 210
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号