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Defining motherhood: The plight of the non-traditional mother in multi-ethnic American women's literature.

机译:定义母性:美国多族裔女性文学中非传统母亲的困境。

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摘要

This project will focus on the multi-ethnic American mother in the mid-to-late twentieth century and where she fits into contemporary American society. I will be taking a Cultural Feminist/Historical approach to motherhood and the mother figure in multi-ethnic American families. This approach will allow me to use a feminist lens and relevant historical context to consider how the "traditional" mother or "ideal" mother figure has become a model for how mainstream society thinks the mother figure should be. Attention to this model will demonstrate how the non-traditional, ethnic mother breaks this mold the implications and repercussions of her inability to achieve the golden standard. I will use this lens combined with a cultural feminist approach to look at the literary works that I have chosen: Toni Morrison's The Bluest Eye (1970), Sula (1974) and Tar Baby (1981); Alice Walker's The Color Purple (1982); Maxine Hong Kingston's The Woman Warrior (1975); Ann Petry's The Street (1946) and Sandra Cisneros' House on Mango Street (1987).;For the project, I intend to delve into multi-ethnic motherhood to articulate how these mothers challenge and often fail when trying to attain society's model of white, middle class motherhood. Each of the literary mother characters that I explore in this project embodies strength, yet often has the inability to rise above adversity that is created by this model. I will show that although she exemplifies a different "model" of motherhood, she is set up for failures by a society who places unrealistic expectations on women of color.;The historical contextualization and feminist cultural analysis of the "ideal" mother in society will help me establish and create a framework to answer the following questions: "How does multi-ethnic motherhood challenge the ideals set by American society and do these ideals set her up for failure?" Also, "What influence has the multi-ethnic mother made on the American family, literature, and society in the late twentieth century; and what does this impact say about motherhood in general?"
机译:该项目将重点关注20世纪中后期的多种族美国母亲,她将融入当代美国社会。我将采取文化女权主义/历史主义的方法来处理多族裔美国家庭中的母亲和母亲形象。这种方法将使我能够使用女权主义的视角和相关的历史背景来考虑“传统”母亲或“理想”母亲形象如何成为主流社会认为母亲形象应该如何成为榜样。对这种模式的关注将证明非传统的族裔母亲如何打破这种模子,使她无法达到黄金标准的含义和后果。我将结合文化女权主义的视角来研究我选择的文学作品:托尼·莫里森的《最蓝的眼睛》(1970),苏拉(1974)和塔尔·巴比(1981);爱丽丝·沃克的《紫色》(1982)马克西恩·洪·金斯顿的《女战士》(1975)安·佩特里(Ann Petry)的《街》(The Street)(1946)和桑德拉·西斯内罗斯(Sandra Cisneros)的《芒果街》(Mango Street)(1987)。对于该项目,我打算深入研究多族裔的母亲,以阐明这些母亲在尝试获得白人社会模式时如何挑战和经常失败。 ,中产阶级的母亲。我在该项目中探索的每个文学母亲角色都体现出力量,但常常无法克服这种模式造成的逆境。我将证明,尽管她代表了一个不同的孕产“模式”,但她是为一个失败的社会而建立的,这个社会对有色女人寄予了不切实际的期望。社会对“理想”母亲的历史背景和女权文化分析将帮助我建立并创建一个框架来回答以下问题:“多族裔母亲如何挑战美国社会设定的理想,而这些理想又使她为失败奠定了基础?”另外,“二十世纪后期,多族裔母亲对美国家庭,文学和社会产生了什么影响?这对母亲的总体影响如何?”

著录项

  • 作者单位

    Indiana University of Pennsylvania.;

  • 授予单位 Indiana University of Pennsylvania.;
  • 学科 Literature Modern.;Literature American.;Womens Studies.
  • 学位 Ph.D.
  • 年度 2011
  • 页码 197 p.
  • 总页数 197
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 宗教;
  • 关键词

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