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The Architecture of Homelessness: Space, Marginality, and Exile in Modern French and Japanese Literature and Film.

机译:无家可归的体系结构:法国和日本现代文学和电影中的空间,边缘和流放。

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摘要

My dissertation, "The Architecture of Homelessness: Space, Marginality, and Exile in Modern French and Japanese Literature and Film," explores the literature of marginality in the age of rampant urban growth and development, initially during the Haussmannization of Paris and during Meiji Japan. Both cross-cultural and interdisciplinary, my project compares the liminal aspects of the architecture of two vastly different metropolises, Paris and Tokyo, through representations in literature and film. In addition, it reaches back in time to mid-nineteenth century and stretches forward to modern day.;The opening chapters analyze works by writers Emile Zola, Higuchi Ichiyo, and Shimazaki Toson, who captured their respective countries' urban transformation as it was occurring and simultaneously represented the lives of people, especially the lower classes, marginalized by this exponential growth. In these chapters I argue that the liminal space left over from newly built architecture and the space on the edge of mainstream society becomes "home" to those displaced persons. This process of urbanization and the subsequent marginalization of its minorities irrevocably bind these two nations together.;While my first three chapters concentrate on the rapid urbanization of Paris and Tokyo as represented in literature, in the final chapter, I articulate the way in which homelessness is depicted on film in France and Japan through cinematic analysis of five films: Akira Kurosawa's Rashomon and Dodesukaden, Eric Rohmer's Le Signe du Lion, Mathieu Kassovitz's La Haine, and Abdellatif Kechiche's L'Esquive. I argue that these four filmmakers, in the style of Naficy's "exile cinema," confront this taboo topic in their texts by bringing the problem of urban failure to the public's consciousness.;Rather than mental illness, addiction, poverty, or ill-fated fortunes, I propose that the central problem of homelessness rests with an individual's alienation from his or her community or in-group. Homelessness, urban living, and marginal spaces are not particular to any one city. My project moves away from East-West dualism and area studies to explore global concepts of space, the effects of rapid urbanization at its onset and today, and the problem of homelessness, which has no boundaries.
机译:我的论文“无家可归的建筑:法国和日本现代文学和电影中的空间,边缘和流放”探讨了在城市蓬勃发展的年代边缘化的文学,最初是在巴黎的奥斯曼化时期和日本的明治时期。 。无论是跨文化领域还是跨学科的,我的项目都通过文学和电影中的表现形式比较了巴黎和东京这两个截然不同的大都市的建筑界限。此外,它还可以追溯到19世纪中叶,并一直延续到现代。;开篇章节分析了埃米尔·佐拉(Emile Zola),口口一代(Higuchi Ichiyo)和岛崎通(Shimazaki Toson)的作品,他们捕捉了各自国家正在发生的城市转型同时代表了人们的生活,尤其是下层阶级的生活,这些人的生活被这种指数增长所边缘化。在这些章节中,我认为,新建建筑留下的边际空间和主流社会边缘的空间成为那些流离失所者的“家”。城市化进程及其随后的少数群体边缘化不可避免地将这两个国家联系在一起;尽管我的前三章着重于文学所代表的巴黎和东京的快速城市化,但在最后一章中,我却阐明了无家可归的方式通过对五部电影的电影分析,在法国和日本的电影中进行了描绘:黑泽明(Akira Kurosawa)的Rashomon和Dodesukaden,埃里克·罗默(Eric Rohmer)的Le Signe du Lion,马修·卡索维兹(Mathieu Kassovitz)的La Haine和阿卜杜拉蒂夫·凯奇切(Abdellatif Kechiche)的L'Esquive。我认为这四位电影摄制者以纳菲西(Naficy)的“流放电影院”的风格,通过将城市失败的问题带给公众的意识来面对他们的禁忌话题;而不是精神疾病,成瘾,贫穷或命运多ated的人。我认为,无家可归的主要问题在于个人与社区或群体的疏远。无家可归,城市生活和边际空间并不局限于任何一个城市。我的项目从东西方二元论和区域研究出发,探索全球空间概念,快速的城市化进程在今天和今天的影响以及无家可归的问题。

著录项

  • 作者

    Correia, Jane Ramey.;

  • 作者单位

    University of California, Riverside.;

  • 授予单位 University of California, Riverside.;
  • 学科 Literature Comparative.;Literature Asian.;Literature Romance.;Architecture.;Cinema.
  • 学位 Ph.D.
  • 年度 2011
  • 页码 262 p.
  • 总页数 262
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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