首页> 外文学位 >'And this is yet Aneurin's land': The creation of Welsh identity in the Romantic era.
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'And this is yet Aneurin's land': The creation of Welsh identity in the Romantic era.

机译:“而且这仍然是Aneurin的土地”:浪漫时代威尔士身份的创造。

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摘要

This project investigates the ways in which Romantic era writers use historical materials in order to produce and/or manipulate specific cultural identities for the Welsh. Writers working to preserve the cultural identity of Wales utilized historical materials---legends, heroic figures, and the bardic voice, to manufacture a sense of continuity in which ancient cultural practices, far from having fallen into disuse and oblivion, are shown to be vital elements of contemporary culture. These writers draw upon the achievements of the past to secure claims of cultural validity, and contextualize their own work within the framework provided by the literary productions of their predecessors. In contrast, writers working outside of the Welsh cultural collective use Welsh materials to underscore a vision of a unified Britain wherein the specific cultural concerns of the Welsh are rendered unimportant because their history has been absorbed into that of the United Kingdom. Writers like Thomas Gray and Robert Southey negate claims of an ongoing Welsh heritage by casting cultural figures in roles foredoomed to destruction. By sentimentalizing ancient Welsh cultural production, the viability of contemporary claims is negated. The achievements of the Welsh are then transmuted into British accomplishments and used to further substantiate the current political regime. This practice attempts the erasure of Welsh cultural identity and attempts to enforce assimilation with the political nation. This project argues that while Wales was often envisioned in terms that treated its culture as a commodity that could be transferred to British possession, the writers of the Welsh cultural collective effectively resist this coercion and create a Welsh identity separate from the British identity the Welsh also share. These writers theorize a relationship to the Welsh past that renders any ruptures from that past unimportant, and makes it both possible and even desirable for the Welsh to once again define themselves in terms of a culturally specific Welsh identity.
机译:该项目研究了浪漫主义时代作家使用历史材料来产生和/或操纵威尔士人特定文化身份的方式。致力于维护威尔士文化身份的作家利用历史资料-传奇,英雄人物和吟游诗人的声音来营造一种连续感,在这种连续感中,远没有被废弃和遗忘的古代文化习俗被证明是当代文化的重要元素。这些作家利用过去的成就来保证文化有效性的主张,并在其前辈的文学作品所提供的框架内将自己的作品情境化。相比之下,在威尔士文化团体之外工作的作家使用威尔士语材料来强调统一英国的愿景,其中威尔士人的特定文化关注点变得不重要,因为他们的历史已被英国所吸收。像托马斯·格雷(Thomas Gray)和罗伯特·索瑟(Robert Southey)这样的作家通过将文化人物摆在注定要遭到破坏的角色中来否定威尔士不断发展的遗产。通过情感化古代威尔士文化生产,当代主张的可行性被否定了。威尔士人的成就随后被转化为英国的成就,并被用来进一步证实当前的政治制度。这种做法试图消除威尔士的文化认同,并试图与政治民族进行同化。该项目认为,虽然威尔士经常被设想将其文化视为可以转移给英国财产的商品,但威尔士文化团体的作家有效地抵制了这种胁迫,并创造了与英国身份不同的威尔士身份,威尔士也分享。这些作者提出了与威尔士过去的关系的理论,这种关系使得过去的任何破裂都不重要,并使威尔士有可能甚至希望再次根据特定的威尔士文化来定义自己。

著录项

  • 作者

    Thorp, Shawna Renee.;

  • 作者单位

    Auburn University.;

  • 授予单位 Auburn University.;
  • 学科 English literature.
  • 学位 Ph.D.
  • 年度 2004
  • 页码 228 p.
  • 总页数 228
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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