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Reading riddles: Rhetorics of obscurity from Romanticism to Freud (Sigmund Freud).

机译:阅读谜语:从浪漫主义到弗洛伊德(Sigmund Freud)的晦涩修辞学。

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摘要

This dissertation locates a transvaluation of the riddle in the late-eighteenth and early-nineteenth centuries. During this time, aesthetic theory breaks away from an ideal of clarity and shifts toward the riddle as a desirable representational model. Through close readings of texts by the Schlegels, Hegel, and Tieck, the dissertation demonstrates how Romantic writers raise the riddle to a model for entire works of art, for symbolic function, and for a particular mode of reading.; The study then goes on show how Freud performs a similar transvaluation on dream material: what others saw as meaningless or useless, Freud takes as a profound yet obscure signifier. The dream becomes a riddle. This insight inaugurates the new discipline of psychoanalysis, and it is an insight made possible by the Romantic notion of riddle as a profound, poetic language. Psychoanalysis systematically articulates and applies the riddle as representational model. This is not to say that Freud simply extends the rhetoric of obscurity inherent in Romantic poetics; he expounds the riddle's techniques of distortion in order to reverse them and solve them.; Focusing on the riddle forces one to reevaluate the relationship between literature and psychoanalysis. It is not simply that literature is the object upon which psychoanalysis operates. Nor that literature, like the psyche, offers up a set of bewildering figures that the analyst translates into plain language. Rather, literature provides the very representational framework---codified in the riddle---of language that requires solving. The turn toward a rhetoric of obscurity, enacted in the literature and literary theory of the early-nineteenth century, first allows "balderdash" to attain the potential of a "precious communication." The riddle thereby serves as the invisible, organizing center of psychoanalytic thought. Literature always already implicates psychoanalysis because the text as riddle acts as a representational template that determines the paths and strategies of decipherment in advance of their application.
机译:本文对十八世纪末和十九世纪初的谜题进行了重新估价。在这段时间里,美学理论从清晰的理想中脱颖而出,并向谜语转变为理想的表示模型。通过Schlegels,Hegel和Tieck的文本的仔细阅读,论文证明了浪漫主义作家如何为整个艺术品,象征功能和特定阅读方式提出谜题。然后,研究继续显示弗洛伊德如何对梦境材料进行类似的升值:其他人认为弗洛伊德是无意义的或无用的,弗洛伊德将其视为深刻而又晦涩的暗示。梦想变成了一个谜。这种见解开创了精神分析的新学科,并且浪漫主义谜语作为一种深刻的诗意语言使这一见识成为可能。精神分析系统地阐明和应用谜语作为代表模型。这并不是说弗洛伊德只是在扩展浪漫主义诗学中固有的晦涩的修辞。他阐述了谜语的变形技术,以扭转并解决它们。着眼于谜语,人们不得不重新评估文学与精神分析之间的关系。文学不是精神分析所基于的对象。像心理学家这样的文学也没有提供一套令人困惑的数字,分析师将其翻译成通俗的语言。而是,文学提供了非常有代表性的框架-用谜语编码-需要解决的语言。十九世纪初期的文学和文学理论所制定的向晦涩的言论的转变,首先使“秃头”获得了“珍贵的交流”的潜力。因此,谜语是精神分析思想的隐形组织中心。文献总是已经暗示了心理分析,因为作为谜语的文本充当了表示模板,可以在应用它们之前确定解密的路径和策略。

著录项

  • 作者

    Tucker, Brian.;

  • 作者单位

    Princeton University.;

  • 授予单位 Princeton University.;
  • 学科 Literature Germanic.; Language Rhetoric and Composition.
  • 学位 Ph.D.
  • 年度 2004
  • 页码 288 p.
  • 总页数 288
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 语言学;
  • 关键词

  • 入库时间 2022-08-17 11:43:25

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