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The Rise and Fall of the WB: 'Dawson's Creek', Intertextuality, and Legitimation

机译:世界银行的兴衰:“道森河”,互文性和合法性

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摘要

Americans have always been divided generationally, from the Lost Generation and the Greatest Generation to the Baby Boomers and Generation X. Until September 11, 2001, the Millennia! Generation ("Millennials") was only defined in relation to other demographic cohorts. A review of popular culture from 1998-2003, specifically television programming targeted to and embraced by the Millennials, demonstrates a search for legitimation at a time when this generation existed only in the context of others, with no obvious distinguishing characteristics. This paper will explore popular culture trends as a marker of broader social change in the context of the declining need of the Millennia! Generation to define itself through popular culture (and earlier generations) when presented with its own "defining moment." By comparing trends in youth-oriented programming at the end of the 21st century to shows that premiered following the September 11 terrorist attacks, it becomes clear that popular culture begins to transform from a means of legitimation to a mechanism for escapism.
机译:从失落的一代和最伟大的一代到婴儿潮一代和X代,美国人一直以来都是分裂的。直到2001年9月11日,千年!世代(“千禧一代”)仅与其他人口统计群体有关。回顾1998-2003年的流行文化,特别是针对千禧一代并为之所接受的电视节目,表明在这一世代仅存在于其他世代而没有明显区别特征的时代,人们正在寻求合法性。本文将在千禧年需求下降的背景下探索流行文化趋势,以此作为更广泛的社会变革的标志!当出现自己的“定义时刻”时,一代人通过流行文化(和前几代人)来定义自己。通过比较21世纪末面向青年的节目制作趋势,并显示在9月11日恐怖袭击之后首映的节目,很明显,大众文化开始从合法化手段转变为逃避现实的机制。

著录项

  • 作者

    Hodge, Ambert R. J. P.;

  • 作者单位

    The College of William and Mary.;

  • 授予单位 The College of William and Mary.;
  • 学科 American studies.;Mass communication.
  • 学位 M.A.
  • 年度 2012
  • 页码 87 p.
  • 总页数 87
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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