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A Rumor of Redress: Literature, the Vietnam War, and the Politics of Reconciliation.

机译:矫正的谣言:文学,越南战争和和解政治。

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摘要

Recent years have seen the emergence of reconciliation as a primary pursuit and dominant trope in the literature surrounding the Vietnam War, marking a literary and cultural shift from the diagnosis of rupture and internal division in the literature during and immediately following the war. This dissertation examines the literature of reconciliation surrounding the Vietnam War and also the disruptive literature of irreconciliation emerging out of that same conflict. Examining the differing and often discordant views of the war and its legacy, I analyze the divergent practices, premises, and stakes of representing reconciliation in the wake of normalization of U.S.-Vietnam relations in 1995. The literature studied in this dissertation includes experiential narratives of return by U.S. veterans, poetry by northern Vietnamese veterans, legacy narratives by the second generation sons and daughters of U.S. vets, and poetry by diasporic Vietnamese writers. Drawing on literary and cultural studies on the Vietnam War, trauma and memory studies, and diaspora and transnational studies, my dissertation performs a model of critical comparativism that maps the transnational contexts of cross-cultural production and at the same time explicates the local figurative sites of reconciliation in literary texts. This dissertation challenges the idea that reconciliation in the case of Vietnam is about greater cultural and historical understanding of opposing perspectives and experiences surrounding the war. Instead, the literature of reconciliation recuperates American and Vietnamese national identities and their normalizing narratives to the exclusion of southern Vietnamese historical and cultural perspectives on the war. Consequently, my dissertation considers the resistance to reconciliation from diasporic Vietnamese writers whose work gives witness to the historical injury and loss of the southern Vietnamese past, but also gives testimony to the ambivalent results of economic liberalism and capitalist globalization of contemporary Vietnam. These irreconciled voices further complicate, contest, and expand what reconciliation means and for whom.
机译:近年来,和解的出现是越南战争周围文学的主要追求和主导,这标志着战争期间和战争结束后文学和文化从文学中的破裂和内部分裂的诊断开始。本文考察了越战前后的和解文献,以及从同一场冲突中出现的破坏性和解文献。在考察了战争及其遗产的不同且通常不一致的观点之后,我分析了在1995年美越关系正常化之后代表和解的分歧做法,前提和利害关系。本文研究的文献包括美国退伍军人的回归,越南北部退伍军人的诗歌,美国兽医的第二代儿女的传统叙事以及流散的越南作家的诗歌。我的论文借鉴了越南战争的文学和文化研究,创伤和记忆研究以及散居和跨国研究的基础,提出了一种批判性比较主义的模型,该模型描绘了跨文化生产的跨国背景,同时阐明了当地的象征性遗址。文学文本中的和解。本文对以下观点提出了挑战:越南方面的和解是关于对战争周围相反观点和经验的更大的文化和历史理解。取而代之的是,和解文献调和了美国和越南的民族认同及其规范化的叙述,以排除越南南方对战争的历史和文化观点。因此,我的论文考虑了流散的越南作家对和解的抵制,他们的作品见证了越南南方过去的历史伤害和损失,同时也证明了经济自由主义和当代越南资本主义全球化的矛盾结果。这些不可调和的声音进一步使和解的意义和对象变得更加复杂,存在争议和扩大。

著录项

  • 作者

    Phan, Hai-Dang Doan.;

  • 作者单位

    The University of Wisconsin - Madison.;

  • 授予单位 The University of Wisconsin - Madison.;
  • 学科 Literature Comparative.;South Asian Studies.;Political Science General.;Literature American.
  • 学位 Ph.D.
  • 年度 2012
  • 页码 253 p.
  • 总页数 253
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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