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Civil War by 'Other Means': Internal Strife in British Colonial Culture.

机译:通过“其他方式”进行内战:英国殖民文化中的内乱。

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This dissertation is anchored in the question: what does civil war mean in empire? Postcolonial critics have argued that nationalism saturated the politics of empire and defined the nation-state in opposition to an outside. For the metropole, this "outside" was the colonies; for the colonies, it was the colonial regime. I argue that internal antagonisms---namely, civil wars--- were equally constitutive of metropolitan and postcolonial nationhood. By reading Victorian and anticolonial literature alongside early Marxist accounts of class war and postcolonial historiography, I find that ruptures to national unity materialize as violent episodes, but are also coextensive with nationalism as they take on latent forms during times of peace. These figures of civil war, violent and non-violent, animate how the nation-state defines itself in empire.;Chapter one looks at how Dickens's Bleak House premises England's unity on standardized time, and dramatizes its fragmentation as a way to shift from a domestic to an imperial framework. My second chapter argues that Kipling's Boer War short stories justify the extension of the metropole to the colonies by treating imperial conflicts as civil wars. As the empire increasingly saw itself as a nation-state, wars at the frontier bore a likeness to domestic conflicts. In contrast, anticolonial writers disavow the territorial logic of civil war in empire by recasting it in a temporal register. Chapter three looks at how Ambedkar describes a latent civil war as a "virus of dualism" which he claims is a legacy of the colonial nation-state. My final chapter argues that Gordimer's July's People describes civil war in the postcolony as an "interregnum" in which colonial and postcolonial regimes inhabit a single chronotope. In redefining civil war as a temporal category, authors see the postcolonial nation-state in relation to its colonial past rather than in opposition to a territorial outside. These readings discover that the specter of civil war intertwines imperialism with postcolonialism, and reveals that the nation-state desired divisions as much as cohesion.
机译:本文的主题是:内战在帝国中意味着什么?后殖民主义的批评者认为,民族主义使帝国政治饱和,并定义了民族国家与外界对立。对于大都市来说,这个“外面”就是殖民地;对于殖民地,这是殖民政权。我认为内部对抗(即内战)同样构成了大都市和后殖民国家的民族。通过阅读维多利亚时代和反殖民文学以及马克思主义早期关于阶级战争和后殖民史学的论述,我发现民族团结的破裂以暴力事件的形式出现,但随着民族主义在和平时期表现为潜在形式,也与民族主义共存。这些内战的数字,无论是暴力的还是非暴力的,都使民族国家如何在帝国中定义自己的形象。第一章着眼于狄更斯的荒诞之屋如何将英格兰的统一置于标准时间之上,并将其碎片化戏剧化,以此作为从帝国主义转变的一种方式。国内的帝国体系。我的第二章认为,吉卜林的布尔战争短篇小说将帝国冲突视为内战,证明了将大都市扩展到殖民地的合理性。随着帝国日益将自己视为一个民族国家,边境战争就像国内冲突一样。相比之下,反殖民主义作家则通过将其改写在时间记录中来否认帝国内战的领土逻辑。第三章探讨了安贝德卡如何将潜在的内战描述为“双重主义病毒”,他声称这是殖民民族国家的遗产。我的最后一章认为,戈迪默尔的《七月的人民》将后殖民时期的内战描述为“殖民地时期”,其中殖民地和后殖民时期的政权只居住于一个年代。在将内战重新定义为时间类别时,作者认为后殖民民族国家与其殖民时期有关,而不是与领土外部相对立。这些读物发现内战的幽灵将帝国主义与后殖民主义交织在一起,并揭示了民族国家希望分裂和凝聚力一样大。

著录项

  • 作者

    Mufti, Nasser.;

  • 作者单位

    University of California, Irvine.;

  • 授予单位 University of California, Irvine.;
  • 学科 Literature Comparative.;Literature African.;Literature Asian.;Literature English.
  • 学位 Ph.D.
  • 年度 2012
  • 页码 209 p.
  • 总页数 209
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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