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Music integration in the elementary school community: An investigation of integration styles and collaborative modes in Pennsylvania and Taiwan.

机译:小学社区的音乐整合:宾夕法尼亚州和台湾的整合风格和合作模式调查。

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摘要

The purpose of this study was to gain an understanding of the role that music integration plays in the elementary school community. With a trend toward integrated curriculum, music specialists and classroom teachers have been encouraged to integrate music across the curriculum. It seems collaboration in arts integration has been a recent emphasis. This study investigated differences and relationships between styles of integration defined by Bresler (1995) and modes of collaboration identified for this study, by region (Pennsylvania and Taiwan) and type of teacher (music specialists and primary/upper-level classroom teachers). Elementary school teachers (n=625) completed a researcher-designed questionnaire (a 28.04% response rate). A 2-way MANOVA, Pearson Correlation and coding for open-ended questions were utilized to interpret the results for research questions.;(1) Do teachers’ integration of music (Integration Styles) and collaboration with others (Collaborative Modes) differ by type of teacher and/or region? Significant differences in teachers’ integration of music and collaboration with others existed by type of teacher but not by region; music specialists supported music integration and collaboration more than classroom teachers.;(2) Do teachers' beliefs and practices regarding Integration Styles and Collaborative Modes differ by type of teacher and/or region? Teachers’ beliefs and practices regarding Integration Styles and Collaborative Modes significantly differed by type of teacher and region. Music specialists supported Coequal and Social Integration Styles more than classroom teachers. Pennsylvania teachers supported Subservient Style, and practiced Consultation, Peer and School-wide modes more than Taiwanese teachers.;(3) What is the nature of the relationship between Integration Styles and Collaborative Modes, both overall and by style or mode? Are these relationships different by type of teacher and/or region? A strong and positive significant correlation existed between overall and individual Integration Styles and Collaborative Modes in both regions as well as three types of teachers.;(4) Do the reported Integration Styles reflect those of Bresler? Do the reported Collaborative Modes reflect those defined for the study? The reported Integration Styles reflected those of Bresler, and the reported Collaborative Modes partially reflected those defined for the study; teachers rarely used Partnership Mode in schools.;Implications for music education and recommendations for future studies are discussed based on these findings.
机译:这项研究的目的是了解音乐整合在小学社区中的作用。随着集成课程的趋势,鼓励音乐专家和课堂老师在整个课程中集成音乐。似乎艺术融合方面的合作已成为近期的重点。这项研究调查了布雷斯勒(1995)定义的整合方式与本研究确定的合作模式之间的差异和关系,按地区(宾夕法尼亚州和台湾)以及教师类型(音乐专家和小学/上级课堂教师)进行了研究。小学教师(n = 625)填写了研究人员设计的问卷(答复率为28.04%)。利用2向MANOVA,Pearson相关和开放式问题编码来解释研究问题的结果;(1)教师的音乐整合(整合风格)和与他人的合作(协作模式)是否因类型而异老师和/或地区?教师的音乐整合和与他人的合作之间存在显着差异,这是根据教师的类型而不是按地区划分的;音乐专家比课堂老师更支持音乐整合和协作。(2)教师关于融合风格和协作模式的信念和实践是否因教师类型和/或地区而异?教师关于整合风格和协作模式的信念和实践因教师类型和地区的不同而有很大差异。音乐专家比教室教师更支持平等和社会融合风格。宾夕法尼亚州的老师比台湾老师更支持“从属风格”,并在“咨询,同伴和全校范围内”实践更多;(3)整体风格,按风格或模式,整合风格与协作模式之间关系的本质是什么?这些关系在教师和/或地区类型方面是否有所不同?两个地区以及三种类型的教师的整体和个人整合风格与合作模式之间存在强烈的正相关关系;(4)报告的整合风格是否反映了布雷斯勒的融合风格?报告的协作模式是否反映了为研究定义的协作模式?报告的整合风格反映了Bresler的风格,报告的协作方式部分反映了为研究定义的风格。教师很少在学校使用伙伴关系模式。;基于这些发现,讨论了音乐教育的意义和对未来学习的建议。

著录项

  • 作者

    Huang, Yi-Ting.;

  • 作者单位

    The Pennsylvania State University.;

  • 授予单位 The Pennsylvania State University.;
  • 学科 Education Art.;Education Music.
  • 学位 Ph.D.
  • 年度 2012
  • 页码 269 p.
  • 总页数 269
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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