首页> 外文学位 >The Representation of Taiwanese Childhood As Reflected in Taiwanese Theatre for Young Audience of The Taipei Children's Arts Festival 2000--2011.
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The Representation of Taiwanese Childhood As Reflected in Taiwanese Theatre for Young Audience of The Taipei Children's Arts Festival 2000--2011.

机译:在2000--2011年台北儿童艺术节的台湾青年观众剧院中反映的台湾儿童时代。

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摘要

The construction of the contemporary Taiwanese child and childhood has been under-researched. It is often understood solely in contrast to a Western context as a mysterious or even exotic existence. However, this understanding differs from what I discovered in my literary reviews, which reveal many similarities – not differences – with respect to the philosophical views of the child and childhood between the so-called “East” and “West.” To gain a better understanding of the Taiwanese child and childhood, I chose the annual Taipei Children’s Arts Festival (TCAF) as my main research subject and adopted grounded theory and dramatic analysis as my research methods to explore the following question: What are the representations of the Taiwanese child and childhood as reflected by the cultural artifacts of TCAF between 2000 and 2011?.;TCAF is the largest children’s arts festival in Taiwan and theatre for young audiences (TYA) has been its main component. I therefore selected four award winning TCAF plays and their production videos as my main data. Additional data consists of forewords from the programs, which were written by mayors of Taipei City, commissioners of Taipei’s Department of Cultural Affairs, and festival organizers. To provide context, I give a brief history of Taiwanese children’s theatre before beginning the main analysis.;My findings indicate a complex construction of the Taiwanese child and childhood. The central category states that Taiwanese children are constructed as adults’ futures. This explains adults’ desires to preserve children’s positive qualities, and reflects adults’ emphasis on learning and teaching, children’s agency, and their happiness. Determining one central category/hypothesis proved to be difficult, due to the variety and complexity of my data. Missing categories include concepts of the unconscious child and children's relationships to religion, family, friendships, and gender issues. The distinctions between children and adults are both distinct and ambiguous.;Although differences of the East/West binary exist, social constructions of the child and childhood become increasingly similar as the world becomes more fluid. My research highlights a variety of such elements. Future research is still needed, however, in order to broaden and deepen the understanding of the Taiwanese child and childhood.
机译:当代台湾儿童和童年的构造尚未得到充分研究。与西方环境相反,它通常被理解为一种神秘的甚至是异国情调的存在。但是,这种理解与我在文学评论中发现的理解有所不同,文学评论在所谓的“东方”和“西方”之间就儿童和童年的哲学观点揭示了许多相似之处,而不是差异。为了更好地了解台湾儿童和童年,我选择一年一度的台北儿童艺术节(TCAF)作为我的主要研究对象,并采用扎根的理论和戏剧性的分析作为我的研究方法来探索以下问题:从2000年至2011年间TCAF的文化文物所反映的台湾儿童和童年?TCAF是台湾最大的儿童艺术节,其主要组成部分是面向青年观众的戏剧(TYA)。因此,我选择了四个获奖的TCAF戏剧及其制作视频作为我的主要数据。其他数据包括该计划的前言,这些前言由台北市市长,台北市文化局局长和节日组织者共同撰写。为了提供背景信息,在开始主要分析之前,我简要介绍了台湾儿童剧院的历史。;我的发现表明台湾儿童和童年时期的结构很复杂。中央类别指出,台湾儿童被视为成年人的未来。这解释了成年人渴望保留儿童的积极品质,并反映了成年人对学与教,儿童的才能和幸福的重视。由于数据的多样性和复杂性,确定一个中心类别/假设非常困难。缺少的类别包括无意识的孩子的概念以及孩子与宗教,家庭,友谊和性别问题的关系。儿童与成人之间的区别既明显又含糊不清。尽管东西方二元性存在着差异,但随着世界变得更加灵活,儿童和童年的社会结构变得越来越相似。我的研究突出了各种这样的要素。但是,为了拓宽和加深对台湾儿童和童年的了解,仍然需要进行进一步的研究。

著录项

  • 作者

    Tsai, Yi-Ren.;

  • 作者单位

    Arizona State University.;

  • 授予单位 Arizona State University.;
  • 学科 Theater.
  • 学位 Ph.D.
  • 年度 2012
  • 页码 227 p.
  • 总页数 227
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:42:25

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