首页> 外文学位 >Pioneer of the land art Spanish: Angels Ribe. Interventions in the nature with the body: Fina Miralles. History of the Spanish conceptual art and Catalonian.
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Pioneer of the land art Spanish: Angels Ribe. Interventions in the nature with the body: Fina Miralles. History of the Spanish conceptual art and Catalonian.

机译:土地艺术西班牙语的先驱:天使里伯。干预自然界:Fina Miralles。西班牙概念艺术和加泰罗尼亚历史。

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摘要

The present investigation frames the conceptual art that includes the body as an artistic support in the intervention of nature: body-nature-work, within the cultural context of the Spain of the decade of years 70. Concretely through the performances and of the interventions as sculptures or installations.;Two are the artists subject that occupies to us: Angels Ribe, who in the 69 makes works with characteristics that located her in European land art, and Fine Miralles, who is the pioneer of the Cos-Natura or Body-Nature-Works and that because of the chronology of these works they are contemporaries of Ana Mendieta, who is adjudge as being the pioneer.;Our central objective will be to emphasize the omission that the art history talking about the European land art and specifically Spanish, has done in relation to two Catalans land artists, searching that they could be include in allusive text editions or does that from this date are generated in the subject of land art and in Catalans' performances and Spanish too.;Also, we referred works of different body treatments and deepened in the accomplishments of Gina Pane, Ana Mendieta and Valie Export, being creatives that agree with the visions and expositions from Angels Ribe and Fina Miralles.;In the same way, we will treat the characteristics that define The European land art, we will emphasize those that differentiate it from the American, and that places them within that sort of the art, referring in specific works of Andy Goldsworthy, Richard Long, Guisseppe Penone and in resistance by some of its appreciations to the American Robert Smithson. And of all of them, and others like: Vanessa Mexican Beecroft and of the Carmen Neuhauss Arvizu, Yolanda Gutierrez, Oman Gonzalez and Reto Morger, that also count on thematic, formal points of contact or of proposal in their works with the ones of Fine Miralles and Angels Ribe.
机译:本次调查将包括人体在内的概念艺术构架为自然界的艺术支持:在十年的西班牙文化背景下,自然-自然-工作在70年代进行。具体地讲,通过表演和干预雕塑或装置。其中有两个是我们所关注的艺术家主题:Angels Ribe(69岁时创作的作品具有她在欧洲土地艺术中的定位)和Fine Miralles(Cos-Natura或Body-的先驱, Nature-Works,由于这些作品的年代顺序,它们是Ana Mendieta的同时代人,Ana Mendieta被裁定为先驱者。我们的主要目标是强调艺术史上关于欧洲陆地艺术尤其是西班牙语的遗漏,与两名加泰罗尼亚人的土地艺术家有关,他们试图将他们包括在典故的文字版本中,或者从那时起是在土地艺术主题和加泰罗尼亚人的著作中表演和西班牙文也一样。;此外,我们介绍了不同的身体治疗方法,并加深了Gina Pane,Ana Mendieta和Valie Export的成就,他们的创意与Angels Ribe和Fina Miralles的愿景和展览相吻合。方式,我们将处理定义欧洲陆地艺术的特征,我们将强调那些将其与美国区分开来的特征,并将其置于这种艺术中,并参考安迪·戈德沃斯沃西,理查德·朗,吉塞普·彭内和由于对美国罗伯特·史密森(Robert Smithson)的某些赞赏而抗拒在所有这些中,以及其他类似者:Vanessa Mexican Beecroft和Carmen Neuhauss Arvizu,Yolanda Gutierrez,阿曼Gonzalez和Reto Morger,在与Fine的作品中也依靠主题,形式上的联系或建议Miralles和天使里伯。

著录项

  • 作者

    de la Mora Marti, Laura.;

  • 作者单位

    Universidad Politecnica de Valencia (Spain).;

  • 授予单位 Universidad Politecnica de Valencia (Spain).;
  • 学科 Art History.;Landscape Architecture.
  • 学位 Dr.
  • 年度 2005
  • 页码 380 p.
  • 总页数 380
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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