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To and through the doors of Ocha: Music, spiritual transformation, and reversion among African American Lucumi

机译:到和通过Ocha的门:音乐,精神转变和非裔美国人Lucumi之间的回归

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摘要

This dissertation asserts that members of Ile Asho Funfun, the Lucumi spiritual house at the center of the research, is comprised of members who have undergone the process of converting to the spiritual practice of Lucumi and, as such, have experienced tremendous personal transformation. The author argues that the religious practice of Lucumi was introduced to African Americans through music and dance traditions in the 1940s by performing artists and that since that time music has been one of the foremost tools of conversion. Among the theories asserted herein, the author develops the theory of reversion to describe the process of conversion from Christianity to Lucumi. Borrowed from Islamic traditions that use the term to refer to a return to the natural state of awareness of the one true God, reversion here is viewed as a return to the religion of practitioners' ancestors and to a set of practices that are innately a part of human understanding of the cosmos and Creator as well their place within the cosmos and with the Creator. Furthermore, the author contends that process of reversion is ongoing, informed by Afrocentricity, and impacted by the constant expansion and contraction of the religion. These occur as individuals and the community adjust to life events while negotiating their identity as both African and American. This dissertation establishes the theories of expansion and contraction as the processes by which African practitioners of Yoruba-derived religions have always adapted their practices to the situation and environment. The author introduces these concepts as a more precise description of processes of adaptation than the more commonly cited concept of syncretism. The author both observed and practiced the religion for ten years prior to undertaking the research and did field work and ethnographic research for six years while studying for and writing this dissertation using a reflexive approach.
机译:本论文断言,位于研究中心的Lucumi精神之家Ile Asho Funfun的成员由经历了转变为Lucumi精神实践的过程的成员组成,因此经历了巨大的个人变革。作者认为,Lucumi的宗教实践是1940年代表演艺术家通过音乐和舞蹈传统介绍给非裔美国人的,从那时起,音乐一直是转换的最重要工具之一。在本文所主张的理论中,作者发展了归还理论来描述从基督教到Luc美的转化过程。从伊斯兰传统借来的,该传统使用的术语是指恢复对一个真神的自然意识状态,此处的回归被视为对从业者祖先的宗教和一系列与生俱来的习俗的回归。人类对宇宙和造物主的理解,以及它们在宇宙中的位置以及与造物主的关系。此外,作者认为,受非洲中心主义的影响,回归进程仍在进行中,并受到宗教不断膨胀和收缩的影响。这些发生在个人和社区适应生活事件时,同时又在谈判他们作为非洲人和美国人的身份时。本文建立了扩张和收缩的理论,以此作为非洲约鲁巴派宗教信奉者始终根据情况和环境调整其实践的过程。作者将这些概念作为对适应过程的更精确的描述,而不是较普遍引用的合体概念进行介绍。在进行研究之前,作者观察并实践了该宗教十年,并在研究和撰写本论文时采用反思性方法,进行了六年的田野调查和人种志研究。

著录项

  • 作者

    Beckley-Roberts, Lisa M.;

  • 作者单位

    The Florida State University.;

  • 授予单位 The Florida State University.;
  • 学科 Music.;African history.;African American studies.
  • 学位 Ph.D.
  • 年度 2016
  • 页码 288 p.
  • 总页数 288
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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