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Using Television: How Undergraduate Female Students Utilize Television as a Cultural Resource.

机译:使用电视:女大学生如何利用电视作为一种文化资源。

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摘要

This qualitative dissertation study explores the ways television program content informs the participant's notions of academic and professional achievement and success. I argue that the undergraduate female students who participated in this study, whom I characterize as the post-feminist generation, are imagined as occupying a pivot point in the history of feminism because they are the first generation to have reaped the rewards of the second wave feminist movement. They face new opportunities as well as old and new barriers to making something of their lives. Access to education and the pervasiveness of popular media culture have informed their understandings of all of these new found opportunities in profound ways. Young women themselves draw on feminist strategies and resources often in ways that are not recognizable or typically political, representing important new ways that young women grapple with the contradictory narratives of individualism, personal power, crisis, and risk that surround them. Popular culture, specifically television content (text) and the representation of female characters on TV are part of larger cultural narratives that inform young women's identity development in very specific ways.;Representations of women on TV currently take place within a cultural space of neo-liberal post-feminism, where post-feminist rhetoric frames sexual politics as no longer necessary, as women have achieved independence as it is understood through individual achievement. Despite actual current economic conditions in play in the U.S., and worldwide, through the rhetoric of neo-liberal, media generated, girlpower; many young women envision that they are entitled to these real and imagined opportunities. This framing informs how they understand achievement and success as well as ways that they understand empowerment, feminism and femininity. Additionally, they utilize television content as a resource which informs how they act as choice biographers (Harris, 2005) in shaping their educational opportunities to ensure future career success.
机译:该定性论文研究探索了电视节目内容如何告知参与者学术和职业成就与成功的观念。我认为参加这项研究的本科女学生(我称之为女权主义后代)被认为占据了女权主义历史的关键点,因为他们是第一代获得第二波奖励的人女权运动。他们面临着新的机遇,也面临着新旧的生活壁垒。受教育的机会和大众传媒文化的普及深刻地启发了他们对所有这些新发现机会的理解。年轻女性本身常常以无法识别的或通常是政治的方式利用女权主义的战略和资源,代表着年轻女性努力应对围绕个人主义,个人权力,危机和风险的矛盾叙述的重要新途径。大众文化,特别是电视内容(文字)和电视上女性角色的代表,是较大的文化叙事的一部分,这些叙事以非常特定的方式为年轻女性的身份发展提供了信息。;电视上女性的代表目前在新文化的文化空间内进行。自由主义的后女权主义,后女权主义的言论不再需要性政治,因为通过个人成就,女性已经获得了独立。尽管在美国和世界范围内当前存在实际的经济状况,但通过新自由主义的言论,媒体产生了女孩力量;许多年轻妇女设想自己有资格获得这些真实和可想象的机会。这种构架说明了他们如何理解成就和成功,以及他们如何理解权能,女权主义和女性气质。此外,他们利用电视内容作为一种资源,以此来告知他们如何充当传记作家(Harris,2005年),以塑造他们的受教育机会,以确保未来的职业成功。

著录项

  • 作者

    King, Karen L.;

  • 作者单位

    State University of New York at Buffalo.;

  • 授予单位 State University of New York at Buffalo.;
  • 学科 Higher education.;Womens studies.;Mass communication.;Gender studies.
  • 学位 Ph.D.
  • 年度 2013
  • 页码 250 p.
  • 总页数 250
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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