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'Like life in excrements': Natural philosophy, hair, and the limits of the body's vitality in early modern English thought.

机译:“像粪便中的生活”:自然哲学,头发和早期现代英语思想中身体活力的局限性。

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摘要

This study focuses on early modern understandings of hair as a means to investigate English thought about life, the soul, identity, and the place of the human in the natural world. Hair is a useful body part for exploring such natural philosophical issues because the competing theories regarding hair's ontology---regarding it as either a living body part or harmful, lifeless excrement---touch on more philosophically weighty debates about the body and soul. As a characteristic shared across all forms of earthly life, hairiness provided the English with an anatomical index for the vitality they shared with non-human life. Moreover, the indeterminability of hair's ontological nature made it especially apt for figuration in literary discourse. Poets and playwrights of the period registered the cultural ambivalence over hair to various ends in the construction of character, commentary on art's relation to nature, and the exploration of human affinity with the natural world.;In chapter one, I explore the concept of the ensoulment of individual body parts and the "all in all, all in part" theory of the soul's residence in the body, a topos of not only theological but also poetic interest. Focusing on natural philosophies of body part formation, chapter two presents the competing theories of hair growth that fueled the cultural ambivalence toward hair, which served as a literary theme. Chapter three treats the various connections between hair and plants, examining the vegetable life hair was thought to possess. Shakespeare and Spenser write about hair as a corporeal indication of humans' vegetable affinities. In chapter four, I explore how hair and fur were thought to demonstrate likenesses between people and animals, particularly horses. I also consider the way in which horse hair's spontaneously generative power provides a central image for Shakespeare's exploration of human and animal life. Chapter five deals with the competing constructions of human identity in the two versions of Sir Thomas More. Not only does long hair bring into question one character's humanity, it is also central to sustaining and altering his identity. The play's revisions, I argue, demonstrate the way hair's culturally contested status affected literary character construction.
机译:这项研究的重点是早期对头发的现代理解,以此作为调查有关生命,灵魂,身份以及人类在自然世界中地位的英语思想的手段。头发是探索此类自然哲学问题的有用的身体部位,因为关于头发的本体论的竞争性理论(将其视为活体的一部分或有害的,无生命的排泄物)触及到有关身体和灵魂的更具哲学意义的辩论。作为所有尘世生活中共有的特征,毛羽为英语提供了与非人类生活共享的活力的解剖学指标。此外,头发本体论性质的不确定性使其特别适合在文学话语中进行形象化。那个时期的诗人和剧作家在人物的建构,艺术与自然的关系的评论以及对人类与自然世界的亲和力探索中,对头发的文化矛盾表现出了不同的目的。涵盖了身体各个部位的内容以及灵魂在体内的“全部,全部”的理论,这不仅是神学上的,而且是诗意的。第二章着重于自然的身体部位形成哲学,提出了关于头发生长的相互竞争的理论,这些理论助长了对头发的文化矛盾,这是一个文学主题。第三章探讨了头发与植物之间的各种联系,考察了植物所具有的生命。莎士比亚和斯宾塞(Spencer)都把头发作为人类蔬菜亲和力的重要标志。在第四章中,我探讨了头发和皮毛如何表现出人与动物(尤其是马)之间的相似之处。我还考虑了马毛自发的产生力为莎士比亚探索人类和动物生命提供中心形象的方式。第五章讨论了托马斯·莫尔爵士的两个版本中人类身份的相互竞争的构造。长发不仅使一个角色的人性受到质疑,而且对于维持和改变其身份也至关重要。我认为,该剧的修订版展示了头发的文化竞争地位如何影响文学人物的建构。

著录项

  • 作者

    Geisweidt, Edward James.;

  • 作者单位

    The University of Alabama.;

  • 授予单位 The University of Alabama.;
  • 学科 English literature.
  • 学位 Ph.D.
  • 年度 2010
  • 页码 212 p.
  • 总页数 212
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:36:58

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