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A study of the effects of National Standards for Music Education, number 3, improvisation and number 4, composition on high school band instruction in New York State.

机译:研究了《纽约州音乐教育国家标准》(即3,即兴演奏和4)组成对高中乐队教学的影响。

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摘要

This study explored current instructional practices of high school band directors in New York State regarding implementation of national music standards 3 and 4, which call for student learning in music improvisation and composition. A secondary goal was the identification of successful strategies for teaching improvisation and composition that can be practically replicated in high school bands. This was a qualitative multi-site case study, informed by quantitative data collected through a web-based survey.; All New York State high school band directors teaching during the 2004--2006 school years were invited to participate in an Internet survey with questions based on improvisation, composition, teaching strategies, attitudes toward standards teacher time priorities and basic demographics. Respondents could also comment about their band programs. Five high schools with successful programs were selected for onsite visits based on peer recommendation. Band directors were interviewed and programs observed. Data from all sources was compared and contrasted by geographical area, school size and teacher experience.; This study found support for teaching improvisation and composition, as well as music standards in general. Few New York band directors, however, offer regular instruction in these areas with most instruction centering on jazz band. The study suggests that strategies for instruction in improvisation and composition within concert band programs are becoming available, although current use is not widespread. The reason most cited was lack of time due to rehearsal and performance commitments. An equally important impediment is anxiety experienced by students when first improvising or creating original music. Many teachers share this anxiety and may avoid teaching improvisation and composition. Newer teachers appeared more knowledgeable and supportive of standards than their more experienced colleagues. The findings suggest that teacher education programs are preparing new music educators to understand and implement music standards, but this may not extend to instruction in large ensembles such as concert band.; Successful programs share the following characteristics: an approach that begins simply; a non-threatening environment; flexible delivery and a commitment to performing student improvisations and compositions.
机译:这项研究探讨了纽约州高中乐队导演在实施国家音乐标准3和4方面的当前教学实践,这些标准要求学生学习即兴演奏和作曲。次要目标是确定用于教学即兴创作和作曲的成功策略,这些策略可以在高中乐队中实际使用。这是一个定性的多站点案例研究,并通过基于网络的调查收集了定量数据。纽约州所有在2004--2006学年任教的高中乐队导演都应邀参加了一项互联网调查,调查内容涉及即兴创作,组成,教学策略,对标准教师时间优先级的态度以及基本人口统计信息。受访者还可以评论他们的乐队计划。根据同行的推荐,选择了五所成功计划的中学进行现场访问。乐队总监接受了采访并观察了节目。比较所有来源的数据,并按地理区域,学校规模和教师经验进行对比。这项研究为教学即兴创作,作曲以及一般的音乐标准提供了支持。但是,很少有纽约乐队的导演在这些领域提供定期的指导,而大多数指导都集中在爵士乐队上。这项研究表明,尽管目前的使用并不广泛,但音乐会乐队节目中即兴创作和作曲的教学策略已变得可用。被引用最多的原因是由于演练和绩效承诺而导致时间不足。同样重要的障碍是学生在即兴创作或创作原创音乐时遇到的焦虑。许多老师都感到焦虑,可能会避免即兴创作和作文。较之经验丰富的同事,新来的老师显得对标准更为了解和支持。研究结果表明,教师教育计划正在使新的音乐教育者为理解和实施音乐标准做准备,但这可能不会扩展到大型乐队(如音乐会乐队)的教学。成功的程序具有以下特征:简单地开始的方法;无威胁的环境;灵活的授课方式以及对学生即兴创作和作曲的承诺。

著录项

  • 作者

    Schopp, Steven Edward.;

  • 作者单位

    Teachers College, Columbia University.;

  • 授予单位 Teachers College, Columbia University.;
  • 学科 Education Music.; Education Secondary.
  • 学位 Ed.D.
  • 年度 2006
  • 页码 222 p.
  • 总页数 222
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 中等教育 ;
  • 关键词

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