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Like father, like daughter: The similarities between fathers and daughters in five Shakespearean plays.

机译:像父亲一样,像女儿一样:莎士比亚五部戏剧中父女之间的相似之处。

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摘要

Most Shakespearean criticism concentrates on the rebellious nature of father-daughter relationships; however, these relationships also reveal a similarity between fathers and daughters. Goneril, Regan, and Cordelia in King Lear, Rosalind and Celia in As You Like It, Desdemona in Othello, Juliet in Romeo and Juliet, and Portia and Jessica in The Merchant of Venice are the father-daughter relationships considered in this study.;These plays were written by William Shakespeare between 1592 and 1596, a period which marked the death of Shakespeare's son Hamnet, the maturation of Shakespeare's daughters Susannah and Judith, and the declining years of the reign of Elizabeth I. The women in Shakespeare's family, as well as the royal daughter, influenced the portrayal of father and daughters in the plays.;The father-daughter relationships in the analyzed plays each observe the changing roles of women within Elizabethan society. Shakespeare's daughters exhibit more independence matched with more acceptance of the political status quo than has been previously brought forth in scholarly criticism. The daughters inherit the physiological traits of their fathers as well as their political and social stances.;In King Lear Goneril and Regan have similar views of monarchical power; Cordelia mirrors her father's irrational need for public statements of moral righteousness. In As You Like It, Celia reflects her father Duke Fredrick's concern with rightful rule; however, Rosalind and her father Duke Senior both ponder, contemplate, and accept their responsibility in the patriarchal social order. Desdemona and her father Brabantio in Othello share a susceptibility to exotic tales, a propensity to misjudge others and a proclivity to see only good in man and his institutions. In Romeo and Juliet, Lord Capulet and his daughter Juliet are highly intelligent, capable of amazing forethought and decidedly impetuous in their actions when emotionally strained. In The Merchant of Venice, Jessica and Shylock are both obsessed with wealth and distressed by their alienation from Venetian society. Despite his absence from the play, the late Duke of Belmont and his daughter Portia share the same clarity of mind and confidence of spirit needed to maintain the family inheritance and prestige for future generations.
机译:莎士比亚的大多数批评都集中在父女关系的反叛性质上。但是,这些关系也揭示了父亲和女儿之间的相似之处。 ;《李尔王》中的Goneril,Regan和Cordelia,《你喜欢》中的Rosalind和Celia,Othello的Desdemona,Romeo和Juliet的Juliet以及威尼斯商人的Portia和Jessica是这项研究中考虑的父女关系。这些戏剧由威廉·莎士比亚(William Shakespeare)于1592年至1596年间创作,这一时期标志着莎士比亚儿子哈姆内特(Hamnet)的去世,莎士比亚女儿苏珊娜(Susannah)和朱迪思(Judith)的成熟以及伊丽莎白一世统治时期的衰落。莎士比亚家族中的妇女戏剧中的父女关系,以及皇室中的女儿,都对她们的刻画产生了影响。;被分析的戏剧中的父女关系,每个都观察了女性在伊丽莎白时代社会中的角色变化。与以前的学术批评相比,莎士比亚的女儿表现出更多的独立性,同时对政治现状的接受程度更高。女儿们继承了父亲的生理特征以及政治和社会立场。 Cordelia反映了她父亲对于公开表达道德正义的非理性需求。在《如你所愿》中,西莉亚反映了她父亲弗雷德里克公爵对合法统治的关注。然而,罗莎琳德(Rosalind)和她的父亲杜克大学(Duke Senior)都在考虑,思考并承担起父权制社会秩序中的责任。 Desdemona和她的父亲奥瑟罗的布拉班蒂奥(Brabantio)对异国情调的故事很敏感,倾向于对他人进行错误的判断,并且倾向于只看待人和他的机构中的善良。在罗密欧与朱丽叶,卡普莱特勋爵和他的女儿朱丽叶非常聪明,能够令人惊异的前瞻性,并在情绪紧张时行动果断。在《威尼斯商人》中,杰西卡(Jessica)和夏洛克(Sylock)都对财富着迷,并因与威尼斯社会的疏远而感到困扰。尽管他不在剧中,但已故的贝尔蒙特公爵和他的女儿波蒂亚拥有保持家族传承和子孙后代所需的同样的头脑清晰和精神信心。

著录项

  • 作者单位

    Drew University.;

  • 授予单位 Drew University.;
  • 学科 Theater.;Literature English.
  • 学位 D.Litt.
  • 年度 2008
  • 页码 216 p.
  • 总页数 216
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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