声明
致谢
Chapter One Introduction
1.1 William Shakespeare and King Lear
1.2 The Evolution of the Concept of Madness
1.3 Foucault’s Interpretation of Madness
1.4 Literature Review
1.4.1 Studies Abroad
1.4.2 Studies at Home
1.5 Significance of the Study
Chapter Two The Brilliance of Reason in Madness
2.1 Foucault’s View Toward Madness and Reason
2.1.1“Silent”Madness and“Arbitrary”Reason
2.1.2 Foucault’s Dissent to the Dual-opposition Thinking of Madness and Reason
2.2 The Estrangement from Reason of Normal Men in King Lear
2.2.1 King Lear:the Autocratic King Ruled by Political Reason
2.2.2 Edmund: the Vicious Bastard Controlled by Instrumental Reason
2.2.3 Goneril and Regan: the Monstrous Daughters Blinded by Material Reason
2.3 The Brilliance of Reason Beneath Madness in King Lear
2.3.1 Lear:a Penitent after Being Mad
2.3.2 Edgar:a Warrior Disguised as a Madman
2.3.3 The Fool:a Sage Wearing a Coxcomb
Chapter Three The Poetic Existence BeneathMadness
3.1 Foucault's View Toward the Connection Between Madness and Aesthetics of Existence
3.1.1 Major Concepts of Aesthetics of Existence
3.1.2 The Connection Between Madness and Aesthetics of Existence
3.2 Lear ’s Journey from Madness to Poetic Existence
3.2.1 Lear’s Care of the Self
3.2.2 Lear’s Care for Others
3.2.3 Lear’s Problematization
Chapter Four The Aesthetic Value of Madness
4.1 Foucault’s View Toward the Aesthetic Value of Madness in Literary Works
4.1.1 A Non-formal and Non-systematic Revelation of Beauty
4.1.2 The Dramatic Tension Created by Madness
4.2 The Aesthetic Value Provided by the Madmen in King Lear
4.2.1 The Aesthetic Value Provided by the Fool
4.2.2 The Aesthetic Value Provided by Edgar
Chapter Five Conclusion
参考文献
Appendix 攻读学位期间发表的论文
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