封面
声明
中文摘要
英文摘要
目录
Introduction
I. Background:a Brief Introduction of Brian Friel
II. Significance:an Overview of the Studies of Brian Friel
III. Content and Structure of This Thesis
Chapter One Theoretical Foundation of Transferring Narration from Page to Stage
1.2. Narration Drama and Rhetoric Narratology
1.2.1 Brecht’s Narration Play
1.2.2 Rhetoric Narratology
Chapter Two Non-Linear Chronological Narration in The Freedom of the City
2.1 Grouping of Characters in the Play
2.2 The Round Narration and Juxtaposing Narration
Chapter Three Faith Healer---Unreliable Narrator on the Stage
3.1 Narration Discrepancies as Dramatic Conflict
3.2 Polyphonic Narration in the Play
3.3 Unreliable Narrator on the Stage
Chapter Four Dancing at Lughnasa—Narration Strategies in a Memory Play
4.1 First-Person Perspective Retrospective Narration on the Stage
4.2 The Intertwined Narrative Structure in Dancing at Lughnasa
Conclusion
致谢
参考文献
攻硕期间取得的研究成果