文摘
英文文摘
声明
Acknowledgements
Introduction
Chapter1 Incest Motif：The Tradition Starting from the Greek Mythology
1.1 The Heritage of Greek Mythology
1.2 The Mythical Correspondences in Mourning Becomes Electra
1.3 Greek Mythology Evolvement by Eugene O'Neill
Chapter2 A Survey of Psychoaesthetics and Burke's Theory
2.1 Introduction to the Psychoaesthetics
2.1.1 The Birth and Development of the Psychoaesthetics
2.1.2 The Research Objects and Category of the Psychoaesthetics
2.2 Burke's Differentiation from the Sublime and Beautiful
2.3Psychoaesthetics'Coherence with Burke's Aesthetic Theory
2.4 Consolidating the Aesthetics'Position by Burke's Theory
Chapter3 Characters'Incestuous Desire in Mourning Becomes Electra
3.1 Lavinia's Electra Complex
3.1.1 Brant---Farther Reflection of Lavinia's Electra Complex
3.2 Orin and Christine：Obvious Embodiment of Incestuous Desire
3.2.1 Christine's Attachment to Orin
3.2.2 Orin's Attachment to Christine
3.3 Orin and Lavinia：the Sibling Incest Desire
Chapter4 Aesthetic Significance of the Incest Motif in Mourning Becomes Electra
4.1 The Qualities of the Sublime for Burke
4.1.1.Terror
4.1.2 Obscurity
4.2 The Sublime of the Incest Motif in Mourning Becomes Electra
4.2.1 Terror in the Incest Motif
4.2.2 Obscurity in the Incest Motif
4.3 New Understanding of Burke's Beautiful
4.3.1 The Qualities of the Beautiful for Burke
4.3.2 The Sympathy and Beautiful
4.4The Beautiful of the Incest Motif in Mourning Becomes Electra
4.5The Dual Character of the Incest Motif in Mourning Becomes Electra
4.6 Incest Motif：the Inner Workings of the Human Spirit
Conclusion
Notes
Bibliography
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