声明
答辩决议书
致谢
Introduction
0.1 Virginia Woolf and her Orlando
0.2 Literature Review
0.3 The Rationale of This Study
Chapter 1 Gender Performativity, Cross-dressing and Masquerade
1.1 Judith Butler’s Theory of Gender Performativity
1.2 Cross-dressing and Masquerade as Gender Performances
Chapter 2 Gender Identity in Orlando
2.1 Androgyny in Orlando
2.2 Orlando as the Changing Subjectivity
2.3 Costume and Cross-dressing in Orlando
Chapter 3 Conjunctions of Gender and Other Axes of Identity in Orlando
3.1 Conjunction of Gender and Sexuality in Orlando
3.2 Conjunction of Gender and Race in Orlando
3.3 Conjunction of Gender and National Identity in Orlando
Conclusion
参考文献