声明
Acknowledgements
Abstract
摘要
CONTENTS
CHAPTER ONE INTRODUCTION
CHAPTER TWO LITERATURE REVIEW
CHAPTER THREE THE ECOCRITICAL THEORY
3．1 A Brief Introduction to Ecocriticism
3．2 An Overview of Ecological Ethics
3．3 An Overview of Eco-feminism
CHAPTER FOUR HUMAN BEING AND NATURE
4．1 Non-anthropocentrism in Two Works
4．1．1 Non-anthropocentrism in Silent Spring—Sublation of the Sense of “Inevitability”
4．1．2 Non-anthropocentrism in Frankenstein—The Tragedy of Artificial Human
4．2 Advocation of Ecological Holism—Ecological Ethics in Silent Spring
4．2．1 Decentralization—-The Introspection of DDT
4．2．2 Our Ecosystem
4．3 Critique on the Alienation of Science and Technology—-Ecological Ethics in Frankenstein
4．3．1 Incontrollable Science and Technology—Creation of the Monster
4．3．2 Subverting the Scientific and Technological Supremacy—From Betrayal to Return
CHAPTER FIVE WOMEN AND NATURE
5．1 Conflict Between Women and Men
5．1．1 A Woman Out of Conttrol—Carson
5．1．2 A Woman Writing in the Shadow of Men—Mary Shelley
5．2 The Rebellion of Nature and Female—Silent Spring
5．2．1 The Status Links between Nature and Women
5．2．2 The Revenge of Women and Nature
5．3 The Invisibility of Women and Nature—Frankenstein
5．3．1 Discrimination Towards Women and Nature
5．3．2 The Negation of “Mother” by Men
CHAPTER SIX SIGNIFICANCE OF COMPARTIVE STUDY OF TWO WORKS
6．1 Common Calls For Ecological Theme
6．1．1 The Harmony of Human and Nature
6．1．2 The Harmony of Women and Men
6．2 Different Techniques of Expression in Literary Creation
6．2．1 Science Writing in Art—Silent Spring
6．2．2 Amazing Gothic Story—Frankenstein
CHAPTER SEVEN CONCLUSION
NOTES
BIBLIOGRAPHY
