声明
摘要
Abstract
1 Introduction
1.1 Introduction to Ursula Le Guin and Her Works
1.2 Introduction to The Left Hand of Darkness
1.3 Literature Review
1.4 Ecofeminism Literary Criticism
1.5 Introduction to Taoist Ecological Ideals
2.The Gender Mode Portrayed in The Left Hand of Darkness
2.1 The Gender Mode of Androgyny on Gethen
2.2 Taoist Ecological Ideals Implied in the Gender Mode
2.2.1 Taoist Theory of Dualist Weakness
2.2.2 Taoist Yin-Yang Balance Theory
2.3 Ecofeminism Embodied in the Gender Mode
2.3.1 Ecofeminist Destruction of Dualism
2.3.2 Genly’s Change of And rocentrism
2.3.3 Le Guin’s Concept ofAndrogyny in The Left Hand of Darkness
3 The Harmonious World of Snow and Ice in The Left Hand of Darkness
3.1 The Snow and Ice as a Miniature of the Earth’s Environment
3.2 Taoist Influence on Creation of the World of Ice and Snow
3.2.1 Taoist Theory of Inactiveness
3.2.2 Taoist Theory of Harmonious Coexistenee
3.3 Ecofeminism Embodied in Creation of the World
3.3.1 Humanized Nature and Naturalized Humans
3.3.2 Ecoleminist View of Harmonious World of Human and Nature
4 Integration and Disparity of Taoism and Ecofeminsm in The Left Hand of Darkness
4.1 Integration of Taoism and Ecofemism in The Left Hand of Darkness
4.1.1 Integration of Taoism and Ecofemism in Gender Mode
4.1.2 Integration of Taoism and Ecofeminism in Harmonious Coexistence
4.2 Disparity of Taoism and Ecofemism in The left Hand of Darkness
4.2.1 Disparity of Taoism and Ecofemism in Gender Mode
4.2.2 Disparity of Taoism and Ecofemism in Harmonious Coexistence
5 Conclusion
Acknowledgements
References
Paper published in the period of Ph.M.education