文摘
英文文摘
声明
Acknowledgements
Introduction
Chapter One Theoretical Premises
1.1 The Background of the Polyphonic Novel
1.2 The Characteristics of the Polyphonic Novel Defined by Bakhtin
1.1.2 Great Dialogue
1.2.2 Microdialogue
1.3 Significance of Employment of Polyphonic Theory
1.4 Faulkner and the Polyphonic Novel
1.4.1 Faulkner's Era
1.4.2 Faulkner's Polyphonic Novel
Chapter Two Great Dialogue in Absalom, Absalom!
2.1 The Dialogues among the Author, the Narrators and the Reader
2.1.1 The Dialogue between the Narrators and the Author
2.1.2 The Dialogue between the Narrators and the Reader
2.2 The Dialogues among the Narrators
2.2.1 Rosa's Voice
2.2.2 Mr. Compson's Voice
2.2.3 Quentin and Shreve's Voices
Chapter Three Microdialogue in Absalom, Absalom!
3.1 Different Voices within Rosa
3.2 Contradicrory Voices within Quentin
Chapter Four The Openness of the Text and the Significance
4.1 The Openness of the Text
4.2 The Significance of this study
Conclusion
Works Cited
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