Acknowledgements
声明
Abstract
摘要
List of Abbreviations
Contents
Introduction
The Biographical and Critic Context of Margaret Drabble’s Literary Creation
The Guiding Principle and Hypothesis
A Brief Introduction of Relative Theories
The Structure of the Dissertation
Chapter One The Alienated Identity in Self-enclosed Narrative in The Millstone
A Brief Review of The Millstone
The Moral Identity at the End of a Dying Tradition
The Identity Mirrored in a Personal Voice
The Identity in Focalization
Chapter Two The Imprisoned Identity in a Hero’s Text in The Ice Age
A Brief Review of The Ice Age
The Non-female Identity in the Male-Centred Text
The Imprisoned Identity in an Authorial Voice
The Identity in Trauma in Postmodern Voice
Chapter Three The Exclusive Sisterhood in a Female Myth in The Seven Sisters
A Brief Review of The Seven Sisters
The Parodic Identity
The Sojourner in a Retrospective Female Voice
The Fictive Female “Truth” in a Hegemonic Voice
The Ambiguous Identity in an Alternative Voice
Chapter Four The Universal Personhood in a Multilayered Discourse in The Red Queen
A Brief Review of The Red Queen
The Existential Context in a Transcultural Voice
A Survivor in a Ghost Voice
The Nameless Identity in a Metafictional Voice
The Universal Sisterhood in a Subversive Voice
Conclusion
Bibliography
河南大学;