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透过荒诞寻求意义——利用衔接分析《克拉普最后的录音带》

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目录

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厦门大学学位论文著作权使用声明

Abstract

摘要

Table of Contents

Chapter One Introduction

1.1 Hypothesis

1.2 Research Methodology

1.3 Organization of This Thesis

Chapter Two Cohesion theory and Krapp's Last Tape

2.1 Cohesion Theory

2.1.1 The development of Cohesion Theory

2.1.2 The Definition of Cohesion

2.1.3 Literature Review

2.1.4 Types of Cohesive Devices

2.2 Literary Study of Samuel Beckett and the Theatre of the Absurd

2.3 The Plot of Krapp's Last Tape

2.4 The Themes in Krapp's Last Tape

2.4.1 Absurdity in the Infinity of Time and Space

2.4.2 Absurdity in the Repetitiveness of Actions and Thoughts

2.4.3 Absurdity in the Failure to Communicate and to Find Identity

Chapter Three Cohesion Analysis of the Narrator’s voice of Krapp's Last Tape

3.1 Lexical Cohesion Analysis

3.1.1 The Usage of Antonyms and Synonyms

3.1.2 Analysis with Cohesive Device:Reiteration

3.1.3 The Usage of Words of a Series or Related Words

3.2 Grammatical Cohesion Analysis

3.2.1 Analysis with Cohesive Device:Conjunction

3.2.2 Analysis with Cohesive Device:Reference

3.2.3 Analysis with Cohesive Devices:Substitution and Ellipsis

3.2.4 Analysis with Cohesive Device:Parallel Structure

3.3 Argument One:Dehumanization of Man-Meaningfulness of Repetitiveness

Chapter Four Cohesion Analysis of the Voice of Older Krapp

4.1 Lexical Cohesion Analysis

4.1.1 The Usage of Synonyms

4.1.2 Analysis with Cohesive Device:Reiteration

4.2 Grammatical Cohesion Analysis

4.2.1 Analysis with Cohesive Device:Conjunction

4.2.2 Analysis with Cohesive Device:Reference

4.2.3 Analysis with Cohesive Devices:Substitution and Ellipsis

4.2.4 Analysis with Cohesive Device:Parallel Structure

4.3 Argument Two:Dissociation of Personality-Meaningfulness of He

Chapter Five Cohesion Analysis of the Voice of the Tape(the Younger Krapp)

5.1 Lexical Cohesion Analysis

5.1.1 Analysis with Cohesive Device:Reiteration

5.1.2 The Usage of Synonyms and Antonyms

5.2 Grammatical Cohesion Analysis

5.2.1 Analysis with Cohesive Device:Reference

5.2.2 Analysis with Cohesive Device:Conjunction

5.2.3 Analysis with Cohesive Devices:Substitution and Ellipsis

5.2.4 Analysis with Cohesive Device:Parallel Structure

5.3 Argument Three:Dissolution of Soul-the Meaningfulness of I

Chapter Six Conclusion

6.1 Psychoanalytic Implications of This Play

6.2 Major Findings

6.3 Limitations and Suggestions for Further Research

References

Acknowledgements

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摘要

本论文采用衔接手段来分析萨缪尔·贝克特英文剧作《克拉普最后的录音带》,探究作者贝克特要表达什么主旨,如何表达,以及他为什么要以这种方式进行表达。通过主体部分的衔接分析,该论文旨在发现其剧作的现实重要性,达到形式、内容和主旨的一致性。
  本文将从剧本中三个不同叙述者的角度出发,对这三部分文本中出现的各种词语衔接功能进行探讨,并通过研究这些功能及其与主题的关联,以及它们在不同叙述者口中起到的或相互照应或前后对比的作用,最终得出三个相关的论点,并将其整合,总结出贝克特的这篇剧作揭露荒谬人生的现实意义。
  论文结尾通过心理分析理论,阐述了荒诞派戏剧代表人物贝克特看似消极的文风背后所暗藏的现实意义。通过克拉普荒谬人生的总结分析,旨在找到坦然面对人生的途径,虽然每一个短暂的人生终将毫无意义地尘埃落定,享受人生的每一刻美好并活出每一秒的价值,才是值得人们去关注和反思的。

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