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Stage acoustics: experiments on 7 stages of concert halls in the Netherlands

机译:舞台音响:在荷兰音乐厅的7个舞台上进行的实验

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摘要

As presented at Acoustics’08 Paris, the need for an objective parameter proved to be necessary being able to optimize stage conditions (canopy position) for musicians as well as for the conductor. To be able to further develop and validate such an objective parameter measurements have been carried out on 7 stages of concert halls in the Netherlands within the framework of the Dutch Students Orchestra tour visiting these halls. In addition to the measurements the orchestra as well as the conductor filled in a questionnaire after each concert. So with these results we were able to check the correlation between the objective measured parameters and the musicians and the conductors subjective experience. In this paper the new parameters merit in relation to the subjective response of musicians to stage acoustics is elucidated.
机译:如在Acoustics'08 Paris上所展示的那样,事实证明,对于客观的参数的需求对于优化音乐家和指挥者的舞台条件(树冠位置)是必要的。为了能够进一步开发和验证这种客观参数,在荷兰学生乐团参观这些音乐厅的框架内,在荷兰的音乐厅的7个阶段进行了测量。除测量外,乐团和指挥家在每次音乐会后还填写了调查表。因此,根据这些结果,我们能够检查客观测量参数与音乐家和指挥家主观体验之间的相关性。在本文中,阐明了与音乐家对舞台声学的主观反应有关的新参数。

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