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The Unorthodox Use of Bamboo in Fashion Styling Design

机译:非正统在时尚造型设计中使用竹子

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The avant-garde fashion styling is based on the spirit of fashion pioneer, rejecting the taste of "mainstream value", and based on exploring any possibility of "boundary value" in fashion styling design. Its experimental and innovative design concepts trigger forward-looking thinking and form new work forms, and create unique visual charm works with non-traditional design styles. This article focuses on the expression of "bamboo" with unorthodox material, and expands its artistic expression and understanding of the overall image design through its alternative applications. This article explores the position of "Heterogeneity" in the non-mainstream "boundary value" of works based on: avant-garde art theory, information dissemination theory and hierarchy of needs theory, fusion of the theoretical construction of aesthetic pleasure perception mode, and expands on bamboo material with unorthodoxy performance applied to fashion styling design. In addition, the "questionnaire survey" reflects the public's feelings, reactions and aesthetic value of the use of unorthodox bamboo works. According to the results of statistical analysis, the "fashion craftsmanship" (Q5) (fashion integration) in the works showed a satisfaction score of 8.43 and 8.95 with the "Bamboo Weaving Traditional Cultural Characteristics" level. Moreover, the degree of creativity in the work is 8.36, and among the "Material-Media Expression" (F1), "Craftsmanship-Formation" (F2), and "Style-Aesthetics" (F3) values. "Style-Aesthetics" is the reason that affects the main characteristics of the work. The application and performance of bamboo work in the creative world of unorthodox materials will also carry out a new experiment in fashion aesthetics and follow-up exploration of related extended topics in the form, concept, historical view, and aesthetics of the work.
机译:前卫时尚造型是基于时尚先锋的精神,拒绝味道“主流价值”,并基于探索时尚造型设计中的“边值”的任何可能性。其实验和创新的设计概念触发前瞻性思路并形成新的工作形式,并创建独特的视觉魅力,具有非传统设计风格。本文侧重于“竹子”与非正统材料的表达,通过其替代应用扩展了对整体图像设计的艺术表达和理解。本文探讨了基于:前卫艺术理论,信息传播理论,需求理论,信息传播理论,融合的审美乐趣感知模式的理论建设的融合中的“异质性”的位置。用非正统表演应用于时装造型设计的竹材拓展。此外,“调查问卷调查”反映了非正统竹作品使用的公众的感受,反应和审美价值。根据统计分析的结果,“时尚工艺”(Q5)(时尚集成)在作品中表现出满意的成绩为8.43和8.95,“竹编织传统文化特色”一级。此外,工作中的创造程度是8.36,并且在“材料 - 媒体表达”(F1)中,“工艺形成”(F2)和“风格美学”(F3)值中。 “风格美学”是影响工作主要特征的原因。竹子工作在非正统材料创造性世界中的应用和表现还将在时尚美学和相关延伸主题的后续探索中进行新的实验,概念,历史观点以及工作的美学。

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