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Understanding Grief and Symbolism in Three Billboards Outside Ebbing, Missouri

机译:在密苏里州外面的三个广告牌中了解悲伤和象征主义

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Grief is an intense feeling of loss. Studies on grief have often taken gender and psychological perspectives. This investigation adds to this extant body of literature, specifically scrutinizing the reactions of the characters in the movie Three Billboards Outside Ebbing, Missouri (2017) to grief. It aims to analyze anger-related tensions portrayed through symbolism and the violent outpouring of grief by the major characters of the movie. This study uses the qualitative research methodology to analyze data collected from particular scenes of the movie. This examination reveals that the male and female characters in the movie behave beyond the gender stereotypes that often describe males as more composed and restrained in their expressions of grief than women, who are said to be more openly articulate. Also, grief is symbolized in this film through the presence of specific elements such as the deer and the fire. Finally, this study also demonstrates two similarities that exist across gender constructs in the reactions to grief portrayed in the movie. Thus, the portrayal of grief in the movie is found to indicate that the American film industry no longer subscribes to clear-cut gender stereotypes in its depictions of bereavement.
机译:悲伤是一种强烈的损失感。关于悲伤的研究经常采取性别和心理观点。这项调查增加了这个现存的文献体,特别是在Ebbing,密苏里州(2017)外的电影三个广告牌中字符的反应仔细审查了悲伤。它旨在分析​​通过象征主义描绘的愤怒相关的紧张局势,并通过电影的主要角色来悲伤的暴力出口。本研究使用定性研究方法来分析从电影的特定场景收集的数据。这项检查表明,电影中的男性和女性角色都超出了性别陈规定型观念,这些刻板印象通常会形容男性,如悲伤的表达,比妇女更加悲伤,据说更公开的阐明。此外,蠕动在这部薄膜中象征着通过诸如鹿和火的特定元素的存在。最后,本研究还展示了在电影中描绘的悲伤中的性别构建中存在的两种相似之处。因此,发现电影中的悲伤描绘表明,美国电影行业不再在丧亲丧失的描述中取得清除性别陈规定型观念。

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