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The Ethnicity of Nias in the Creative Exploration of Art Painting of North Sumatera

机译:北方艺术绘画的纳米族种族

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This article studied the ethnicity expressions in the creation of art painting through the exploration of the visual culture of Nias. The exploration was realized creatively on rubber dimension formed by the heat conductor. The purpose of this study is to develop a peculiar and unique shape of fine arts in North Sumatera so that it can enrich the local and national treasure of visual culture. This study employed to survey and creative creation method. The testing of the result of the creation was conducted through the assessment of competent critics and the appreciative feedback of the observers and the community. The data analysis was done using the quantitative and qualitative descriptive method. The result of this study showed that the characteristic of Nias visual culture as the basis of art painting development, in general, was decorative and mythical. The rubber media as a "tafril" area with a heat conductor was quite effective to explore the real texture and relief image, as well as to present artistic effect when exposed by light. Based on the critics and the observers' appreciative feedback, the creation had already had an intra-aesthetic and extra-aesthetic quality, uniquenes, and strong characteristic, so that it contributes to the enrichment of local and national culture.
机译:本文通过探索NIA的视觉文化,研究了在创造艺术绘画中的民族表达。通过导热体形成的橡胶尺寸创造性地实现了探索。本研究的目的是在北苏马特在北苏米拉省开发奇特和独特的艺术形状,以便它可以丰富视觉文化的当地和国宝。本研究采用调查和创造创作方法。通过评估主管批评者和观察员和社区的欣赏反馈来进行创作结果的测试。使用定量和定性描述性方法进行数据分析。该研究的结果表明,NIAS视觉文化的特征为艺术绘画发展的基础,一般来说,是装饰和神话。具有导热体的“TAFRIL”区域的橡胶介质非常有效地探索真实的纹理和浮雕图像,以及在通过光暴露时呈现艺术效果。基于批评者和观察员的欣赏反馈,创作已经具有审美内和审美的质量,无唯一的特点,使其有助于富裕的地方和民族文化。

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