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OBJECTIVE PROFILING OF PERCEIVED PUNCH AND CLARITY IN PRODUCED MUSIC

机译:制作音乐的感知拳击和清晰度的客观剖析

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This paper describes and evaluates an objective measurement that profiles a complex musical signal over time in terms of identification of dynamic content and overall perceived quality. The authors have previously identified a potential correlation between inter-band dynamics and the subjective quality of produced music excerpts. This paper describes the previously presented Inter-Band Relationship (IBR) descriptor and extends this work by conducting more thorough testing of its relationship to perceived punch and clarity over varying time resolutions. A degree of correlation is observed between subjective test scores and the objective IBR descriptor suggesting it could be used as an additional model output variable (MOV) to describe punch and clarity with a piece of music. Limitations have been identified in the measure however and further consideration is required with regards to the choice of threshold adopted based on the range of dynamics detected within the musical extract and the possible inclusion of a gate as utilised in some loudness algorithms.
机译:本文介绍并评估了在识别动态内容和整体感知质量方面随时间划分复杂音乐信号的客观测量。作者之前已经确定了频段间动态与产生的音乐摘录的主观质量之间的潜在相关性。本文介绍了先前呈现的间间关系(IBR)描述符,并通过对其关系的关系进行更彻底的测试来扩展这项工作,并在不同的时间分辨率上进行识别和清晰度。在主观测试分数和目标IBR描述符之间观察到一定程度的相关性,表明它可以用作附加模型输出变量(MOV),以用一段音乐描述冲头和清晰度。然而,已经在测量中确定了限制,并且需要进一步考虑基于在音乐提取物中检测到的动态范围的阈值以及在一些响度算法中使用的栅极的可能包含栅极来选择的阈值。

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