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Cultural Creativity in Design Strategy: A Case Study of User's Preference of a Bird-Shaped Teapot

机译:设计策略中的文化创造力 - 以鸟形茶壶的偏好为例

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摘要

The bionic design has become an important creative tool in the time of "perceptual consumption". Although the systematized concept and method for bionic design matured late as 1960s, but in essence it is an important method for creating artifacts in prehistoric era. The pottery Gui-tripod is just the masterpiece of bionic design pottery in Chinese Neolithic. Moreover, it represented the worship of sun - the spiritual power that ancient people relied on, and relating totems. In this article, the author wants to create a bird-shaped teapot transferred from the Pottery Gui-tripod. Besides the traditional Eastern charm, how can it have the style - the Modern fashion is the preoccupation. The research results show: shape extracted through Cezanne's "Cylinder, Sphere and Cone" theory not only be able to achieve the goal of fashion, but also conducive to the implementation of computer-aided design tools.
机译:仿生设计已成为“感知消费”时成为一个重要的创造工具。 虽然仿生设计的系统化概念和方法在20世纪60年代后期成熟,但实质上它是在史前时代创造文物的重要方法。 陶瓷吉普车正是中国新石器时代的仿生设计陶器的杰作。 此外,它代表着阳光的崇拜 - 古代人依赖的精神力量,并关联图腾。 在本文中,作者希望创建一个从陶贵三脚架转移的鸟类茶壶。 除了传统的东方魅力外,它如何具有风格 - 现代时尚是关注。 研究结果表明:通过Cezanne的“气缸,球体和锥形”提取的形状不仅能够实现时尚的目标,还有利于实施计算机辅助设计工具。

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