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Soap Opera Actors' Social Climbing in the Digital Media: A Study of Digital Traces in Social Media

机译:肥皂歌剧演员在数字媒体中攀登:社交媒体中数字痕迹研究

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This paper discusses social climbing which is regarded as an attempt as self and public branding to gain attention and recognition in social media. This activity is the behavior of actors in getting social capital. By using Bordieu's critical discourse analysis, this paper aims at describing several links between social-climbing, mobility, and branding in an effort to strengthen the identity of cultural actors. Two of the cases discussed are instances of 'salted fish' by Galih Ginanjar and the public branding which is done by his wife, Barbie Kumalasarie in Indonesian social media. The discussion reveals that Galih Ginanjar and Barbie Kumalasarie could be said to have done social-climbing to increase their popularity as celebrities who had not been much involved in their artistic world. Their efforts to raise status through social-climbing actions have drawn criticisms and insults. The controversy they made is precisely considered as their capitals in terms of Bordieu's perspective. Thus, social-climbing can be considered as an instance of self-branding in relation to social mobility in the disruptive world of the digital age.
机译:本文讨论了社会攀登,被认为是自我和公共品牌在社交媒体上获得关注和认可的尝试。这项活动是参与者在获得社会资本方面的行为。通过使用BORDIEU的关键话语分析,本文旨在描述社会攀岩,流动性和品牌之间的几个联系,以加强文化行动者的身份。讨论的两个案件是Galih Ginanjar的“盐渍鱼”的情况,以及他的妻子,芭比kumalasarie在印度尼西亚社交媒体中完成的公共品牌。讨论表明,可以说,Galih Ginanjar和Barbie Kumalasarie在社会上攀登,以增加他们作为在他们艺术世界中没有太多参与的名人的人气。他们通过社会攀登行动提出地位的努力已经吸引批评和侮辱。他们所做的争议正被认为是博德伊乌的观点的主角。因此,社会攀登可以被视为与数字时代中断世界中的社会流动相关的自我品牌的一个例子。

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