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Digital photogrammetry for archaeological artefacts acquisition

机译:用于考古文物的数码摄影测量

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Conciliating archaeological heritage preservation and knowledge with technology is one of the challenges of archaeological museums since the last decade. With ICT tools diffusion, curators and public institutions demand new representations of archaeological artefacts. Furthermore, they want to get involved in a collaborative and digital culture to attract a larger public. Nevertheless, digitization is often assumed as a time-consuming and expensive activity without specific and immediate outcomes. Our research group, in last years, deals to change this idea in stakeholders of Digital Cultural Heritage, such as museums director and archaeologist, but also in non-expert users (tourists and public authorities). In fact, also observers report the lack of digital skills and some trivializations in the ICT use [1]. The backbone of the perspective change consists in enabling several applications with the same data set, without dedicated acquisition phases. On this point of view, it is mandatory to achieve a pipeline that is able to perform documentation in case of loss or damage, virtual tourism and museum, education resources, interaction without danger, in deep analysis and so on.
机译:协调考古遗产保存和技术的知识是自上年以来考古博物馆的挑战之一。凭借ICT工具的扩散,策展人和公共机构需要新的考古人工制品的新表现。此外,他们希望参与合作和数字文化来吸引更大的公众。尽管如此,数字化通常被认为是耗时和昂贵的活动,没有特定和立即结果。我们的研究小组在过去几年,在数字文化遗产的利益相关者中改变了这种想法,例如博物馆导演和考古学家,也是非专家用户(游客和公共当局)。事实上,观察者还报告了ICT使用中缺乏数字技能和一些差异化[1]。透视变化的骨干内容包括在没有专用采集阶段的情况下启用具有相同数据集的多个应用程序。在这一观点来看,必须实现能够在损失或损坏,虚拟旅游和博物馆,教育资源,无危险的互动的情况下进行文档的管道,在深度分析等方面。

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