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The Concept of Yin and Yang and Ancient Literature

机译:阴阳与古代文学的概念

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摘要

The relationship between the concept of Yin and Yang and ancient literature is rarely discussed by people currently. This paper makes an initial analysis of concept of Yin and Yang and ancient literature relationship from three aspects of combination, change and neutralization. In literature creation, the universal view of Yin and Yang lift, things having two and only two causes that ancient scholars focus on Pianli creation tendency, which is the deep cultural reason of ancient prose development and ancient literature language form generally antitheses. In literature change aspect, the natural change view of "things having two" and "only two" causes that ancient people take natural change to explain literature development change phenomenon, forming Liu Xie as the representative "articles changing and without losing normal state" literature development view. In literature art aesthetics aspect, Yin and Yang, Cliffside and auspicious fundamental theory causes ancient people to take "neutral" as the beauty phenomenon, making "neutral" beauty theory become the ancient aesthetics trend for thousands of years.
机译:人们目前很少讨论阴阳与古代文学的概念之间的关系。本文从组合,变革和中立的三个方面初步分析了阴阳和古代文学关系。在文学创作中,阴阳升力的普遍看法,有两个的东西,只有两个原因,古代学者们关注庞利的创作倾向,这是古代散文发展和古代文学语言形式的深刻文化原因一般是对立的。在文学变革方面,“有两者的东西”和“只有两个”的自然变化视图,古代人类采取自然变化来解释文学发展变革现象,形成刘谢作为代表“文章改变且没有失去正常状态”文学发展观。在文学艺术美学方面,阴阳,悬崖和吉祥的基本理论导致古代人民以“中立”为美容现象,使“中立”美容理论成为古代美学趋势达到数千年。

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