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Investigating Cultural Macroevolution through Biological Phylogenetic Analyses of Chinese Dai People Costumes Pattern

机译:通过中国傣族服装模式的生物学系统发育分析研究文​​化宏观调查

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What are the driving forces for cultural macroevolution has engaged anthropologists for more than a century. Recently, the debate on the evolution of culture has focused on two processes in particular, phylogenesis and ethnogenesis, and has been suggested that the latter has probably always been more significant than the former. Cladistic methods of phylogenetic reconstruction was used to assess a data set consist of 119 costume motifs derived from costumes pattern and decorative characters from some groups of Dai people and its accompanying group of Yi and Hani people in Yunnan, China. The results indicate that phylogenesis was the dominant process in the culture evolution of costumes pattern and decorative characteristics of Dai people, accounting for about 60% of the resemblances among the Dai people costumes pattern. These results do not support the proposition that ethnogenesis has always been a more significant process in cultural evolution than phylogenesis.
机译:文化宏观调度的驱动力是什么,从事人类学家超过一个世纪。最近,关于培养的演变的辩论专注于两种过程,特别是系统发育和血管生成,并提出后者可能总是比前者更重要。系统发育重建的覆层方法用于评估数据集,由来自云南彝族和八幡人类的一些傣族的服装模式和装饰性人物衍生的119个服装图案组成。结果表明,Phyloyesis是傣族服装模式和装饰特征的培养演进中的主要过程,占傣族服装模式的约60%的60%。这些结果不支持血征在文化演化中始终是更重要的过程而不是文学发生的命题。

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