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Secularization, Sanctification and Artistry: the Aesthetic Changes of 'Gesar' Tangka

机译:世俗化,成圣和艺术性:“戈萨”唐卡的审美变化

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"Gesar" Tangka is an important theme of Zhongtang in Tibetan Buddhism, along with the creation and circulation of the epic of "Gesar", "Gesar" Tangka was originally hung from the rap scene to temple and Buddhist hall for worship, in the pursuit of aesthetics, it has experienced the change from secularization to sanctification. Since the 1980s, the rescue of "Gesar" epic, the rise of market economy, and the initiation of intangible cultural heritage protection have made the creation of "Gesar" Tangka obtain great vitality. At the same time, the change of creators' identity, the diversity of artistic expression and the diversification of their functions make Tangka the aesthetic pursuit of secularization, sacredness and artistry.
机译:“戈萨”唐卡是藏佛教中塘的重要主题,随着“戈萨”的史诗的创作和流通,“戈萨”唐卡原本是挂在寺庙和佛教大厅的崇拜,在追求在美学中,它经历了世俗化对成圣的变化。自20世纪80年代以来,拯救了“戈萨”史诗,市场经济的兴起,以及非物质文化遗产保护的启动使得“戈萨”唐卡获得了极大的生命力。与此同时,创造者身份的变化,艺术表达的多样性和其功能的多样化使唐卡成为世俗化,神圣和艺术性的审美追求。

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