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Gandrung Dance as Cultural Identity in Image Construction of Banyuwangi Regency, East Java

机译:甘德舞作为文化身份在鲍宇旺尼丽晶地区的图像建设中的文化认同

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Nowadays many regions compete to attract tourism, investments, residents and others that could drive the region development. It is important for a region to have identity as differentiatior from others that could become the direction of planning and implementing various actions to support the accomplishment of the region's vision. Banyuwangi Regency, East Java, form its identity by utilizing the notable regional cultural assets. The formation of Gandrung dance as Banyuwangi identity is not an easy process given that there are many other regions with similar potential and development. The research question is how Banyuwangi forms Gandrung dance as its regional identity. The aim is to reveal the representation form of the aesthetic orientation of Gandrung dance in the Banyuwangi image construction. This study uses qualitative paradigm with phe-nomenological approach. The data collecting was carried out through interview, participant observation, document search, and the matrix analysis model for data analysis. Gandrung dance has become Banyuwangi identity which was formed through the image communication activities by transforming Gandrung dance into visual identity that was applied to various visual communication media. The results are useful for regional planners and stakeholders in establishing their region image through the use of the regional cultural assets.
机译:如今许多地区争夺可能引发区域发展的旅游,投资,居民和其他人。对于一个区域来说,一个区域与其他可以成为规划方向,以实现各种行动来支持该地区的愿景的方向是重要的。 BanyuWangi Regency East Java,通过利用着名的区域文化资产来形成身份。甘让舞蹈的形成作为Banyuwangi身份并不是一个简单的过程,因为有许多其他具有类似潜在和发展的地区。研究问题是Banyuwangi如何形成甘德舞作为其区域身份。目的是揭示榕树舞蹈中甘德舞的审美取向形式的代表形式。本研究采用了具有Phe-Nomenologic方法的定性范例。通过面试,参与者观察,文档搜索和数据分析的矩阵分析模型进行数据收集。 Gandrung Dance已成为BanyuWangi身份,通过将Gandrung Dance转变为应用于各种可视通信媒体的视觉标识来通过图像通信活动形成。结果对于区域规划者和利益攸关方可通过使用区域文化资产建立地区形象。

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