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Application of Traditional Chinese Makeup and Ornament Elements in the Image-shaping of the Dance Drama 'Ling ? Hua Guzi'

机译:中国舞蹈戏剧形象塑造中的传统化妆和装饰元素的应用“凌?华桂精”

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摘要

With a history of thousands of years, Chinese "makeup and ornament culture is rich in contents, diversified in forms, and full of Chinese aesthetic connotation. In recent years, in the makeup modeling design of the characters for performance, such as stage drama, film and television drama, fashion show and so on, the creative makeup modeling design by use of the Chinese classical "makeup and ornament elements", through the transformation of the time and space, show a unique Oriental affective tone and aesthetic feelings with the oriental aesthetics of impressionistic style and color shading. The character modeling design in the dance drama "Ling ? Hua Guzi" draws on the Chinese classical "makeup and ornament elements", and boldly summarizes, refines, reorganizes and redesigns these elements, in order to meet the aesthetic needs of modern people, and strives to vividly express Pu Songling's fresh characters in the fantasy theme of "flower fairies and vixen spirits". It reflects the harmonious beauty of the between tradition and modernity, east and west, body and space so that the dance drama presents a novel, unique and unified beauty on the whole.
机译:随着千年的历史,中文“化妆和装饰文化富含内容,以形式多样化,充满了中国美学内涵。近年来,在化妆建模设计中的性能设计,如舞台戏剧,电影电视剧,时装秀等,通过使用中国古典“化妆元素”的创造性化妆设计,通过改造时间和空间,表现出独特的东方情感语调和东方的美学感受印象风格和彩色阴影的美学。舞蹈戏剧中的角色建模设计“玲?华族“借鉴中国古典”化妆和装饰元素“,大胆总结,改进,重新组织和重新设计这些要素,以满足现代人的审美需求,努力在幻想中生动地表达普隆松的新鲜角色“花仙女和泼妇魂”的主题。它反映了传统与现代性,东部和西方,身体和空间之间的和谐美景,使舞蹈戏剧全部呈现出一种新颖,独特而统一的美丽。

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