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The Multi-dimensional Glamour Expressive of The Butterfly

机译:蝴蝶的多维魅力表达性

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摘要

If you happen to watch these movies, like Italian opera movie Madame Butterfly, then French movies: Mr. Butterfly, after that, The Lover, and lastly, The Butterfly, it will surely set you brooding. The writer of this piece is no exception. In his opinion, Madame Butterfly reflects the occidentally-centered pattern, while Mr. Butterfly and The Lover subvert this theme and instead put forth the orientally-centered mode. In this paper, the writer attempts to depict the harmonious relations expressive of the characters in the movie of The Butterfly seeing that all these are generally concerned with love, with its token and symbol of being a butterfly.
机译:如果你碰巧看这些电影,就像意大利歌剧电影蝴蝶一样,那么法国电影:蝴蝶先生,之后,情人,最后,蝴蝶,它肯定会让你沉思。这件作品的作者也不例外。在他看来,蝴蝶夫人反映了以往为本为中心的模式,而蝴蝶先生和情人颠覆了这个主题,而是提出了以东方为中心的模式。在本文中,作者试图描绘与蝴蝶电影中的角色表现的和谐关系,从而看到所有这些通常都涉及爱情,其令牌和成为蝴蝶的象征。

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