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Narcissus - The Evolution of Self-portraits in Image Times

机译:水仙 - 图像时代自画像的演变

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Self-portraits derive from portraiture. Initially, artists painted self-portraits to prove their identities; then, they used these paintings to show their unique personalities and life experiences. The psychological foundations of self-portraits are human's self-consciousness and their eternal pursuit of self-actualization. In Image Times, the popular and convenient image technology changes people's viewing patterns and the expressive forms of self-portraits. In Image Times, artists choose different ways to create self-portraits. Some artists, like Lucian Freud, still use mirrors to draw self-portraits; some artists such as Xiao-dong Liu use photos instead of mirrors; painters include Li-jun Fang and Min-jun Yue create hidden self-portraits; artists like Cindy Sherman and Nan Goldin directly use photography techniques; meanwhile, as the new form of self-portrait, selfies in social networks become popular carnival.
机译:自画像来自肖像。最初,艺术家绘了自画像以证明他们的身份;然后,他们使用这些绘画来展示他们独特的个性和生活经历。自我肖像的心理基础是人类的自我意识和他们的永恒追求自我实现。在图像时代,流行和方便的图像技术改变了人们的观看模式和表现形式的自画像。在图像时代,艺术家选择不同的方式来创造自画像。一些艺术家,如Lucian Freud,仍然使用镜子来绘制自画像;一些艺术家,如小东刘,使用照片而不是镜子;画家包括李军方和闽君岳创造了隐藏的自画像;艺术家喜欢Cindy Sherman和Nan Goldin直接使用摄影技术;与此同时,作为新形式的自画像,社交网络中的自拍成为流行的狂欢节。

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