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'Stylization' and 'Spirit Presentation through Appearance' - on Portrait Techniques of Ming and Qing Dynasties

机译:“程度化”与“通过外观的精神演示” - 论明清王朝的肖像技

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摘要

Chinese portrait has accumulated rich creation experiences in the long-term evolution process and forms abundant and complete presentation models. The ancients summed up their common laws to maximize the performance of the presentation language. The portraits ushered in the most brilliant generation in the Ming and Qing Dynasties. The stylization functions of portraiture technology are analyzed in the paper to complete the analysis of "appearance" and "spirit", "common features" and "personality" to realize the roles change "stage" of the reality and the ideal image. It also explores more feasibilities for the development of traditional painting Chinese.
机译:中国肖像在长期演进过程中积累了丰富的创作体验,形成丰富和完整的演示模型。古人总结了他们的共同法律,以最大限度地提高演示语言的性能。肖像迎来了明清最辉煌的一代。分析了肖像技术的程式化功能,在论文中分析了“外观”和“精神”的分析,“共同特征”和“人格”,实现现实的作用和理想形象。它还探讨了传统绘画中文发展的更多可行性。

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