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UnclergSaze Tissue Printing for Ceramic Artists, a Collaborative Project to Re-appraise 19th Century Printing Skills

机译:陶瓷艺术家的无人症,一种重新评估19世纪印刷技能的合作项目

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Under-glaze tissue ceramic transfer printing first developed circa 1750 and involved engraved or etched copper plates, from which tissue was printed with cobalt blue oxides. Under-glaze tissue has a very distinctive, subtle quality - it is an integral part of both English ceramic history and the history of copperplate engraving. The process was common in the UK ceramics industiy until thel980s. However from the 1950s it began to be supplemented by screen-printing, because underglaze tissue transfer was relatively slow and required skilled artisans to apply the transfers. The authors are collaborating with Burleigh Pottery in Stoke-on-Trent, the last remaining company to produce ceramic tableware decorated using the traditional printed under-glaze tissue method. The pottery was recently saved from closure by the HRH Prince Charles Regeneration Trust, who wish to maintain the traditional manufacturing skills for the next 25 years. The Centre for Fine Print Research (CFPR) in Bristol has been reappraising the use of these traditional 19th Century skills with modern materials and methods for producing engraved plates. The project seeks to demonstrate how those 19th Century methods can be applied by contemporary ceramic artists. The paper will explain the process of ink manufacture, heating the plate for printing, digital methods of making plates and the use of potters tissue.
机译:釉下组织陶瓷转移印刷首先开发了大约1750并且涉及雕刻或蚀刻的铜板,用钴蓝氧化物印刷组织。釉面组织具有非常独特的微妙的质量 - 它是英国陶瓷历史的一个组成部分和铜版雕刻史。该过程在英国陶瓷工业中常见于980年代。然而,从20世纪50年代开始补充丝网印刷,因为釉下组织转移相对较慢,需要熟练的工匠应用转移。作者正在与斯托克托特韦森特的武器陶器合作,是最后一个公司,以生产使用传统印刷欠釉组织方法装饰的陶瓷餐具。陶器最近被HRH王子查尔斯再生信托的关闭,他们希望保持未来25年的传统制造技能。布里斯托尔的精美印刷研究中心(CFPR)已重新购买这些传统19世纪的技术与现代材料和生产雕刻板的方法使用。该项目旨在展示当代陶瓷艺术家可以应用19世纪的方法。本文将解释油墨制造过程,加热板进行印刷,制造板的数字方法和陶工组织的使用。

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