The Phenomenon of Visuality in the Context of Musical Pieces by Siberian Composers

摘要

The article considers peculiarities of musical pieces of various genres by Siberian composers, the visual imagery in which functions on equal terms along with the musical expressive means. The audio component combined with the visual one results in the formation of an audiovisual text beyond the cinematographic art. Musical pieces of this type have specific features of synthetic genres. Despite the unquestionable originality of the whole, the analyzed pieces demonstrate a connection with the program music. In audiovisual compositions, the verbally expressed literary program is replaced by the visualized program embodied in the visual component.