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THE 'ART OF WAR FRIEZE' IN URBINO: A BLEND OF VIRTUAL RECONSTRUCTION AND SCIENTIFIC ACCURACY

机译:乌尔比诺的“战争艺术”:虚拟重建和科学准确性的混合

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The Art of War Frieze was commissioned by Federico da Montefeltro, Duke of Ur bino, to decorate the back of the wing facade of the Ducal palace. The Frieze decorated the facade from the time it was realised towards the end of the XVth century until 1756. The Frieze consists of a very particular series of seventy-two lim estone bas-reliefs, whose iconographic repertoire represents nume rous war and building machines as well as military and political symbols. After it broke away from the outdoor facade it was stored in different rooms in the Palace but despite the many documentary records available, the question of the original sequence of the bas-reliefs has never been resolved. The primary scope of this paper is to create a "virtual" reconstruction of the original sequence of the bas-reliefs, starting from historical and iconographic records, an anal ysis of the back and the individual panels using a laser scanner and fully automatic open source photo modelling technologies like the Arc3d, and photogrammetric systems like Image Master together with analyses of the state of conservation, type of degradation correlated to atmospheric parameters (sun light, temperature, rain). Tests will then be carried out with different systems in order to confirm the accuracy of the model if it is decided to reprodu ce the individual panels using the rapid prototyping technique associated to a study of the execution techniques.
机译:Frieze的艺术由Ur Bino的杜克Federico da Montefeltro委托,装饰了Ducal Palace的 Wing Facade 的后面。 Frieze从Xvth Century的结束到1756年,Frieze装饰了门面.Frieze由一个特别的七十二个林爱酮浅浮雕系列组成,其Iconapupt repertoire代表Nume Wore War和Building Machines以及军事和政治符号。在它脱离户外门面之后,它存储在宫殿的不同房间,但尽管有许多纪录片记录可用,但浅浮雕的原始序列的问题从未得到解决。本文的主要范围是创建“虚拟”重建浅浮雕的原始序列,从历史和图标记录,背部和单个面板的肛门YSIS使用激光扫描仪和全自动开源开始照片造型技术,如Arc3D,以及摄影测量系统,如图像母版,与守恒状态的分析,劣化类型与大气参数相关(阳光,温度,雨)。然后,将使用不同的系统进行测试,以便在使用与执行技术的研究相关联的快速原型设计技术来确认模型的准确性。

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