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Earthworks/Mineworks: creating shared visions for postmined landscapes/landshapes

机译:地球工程/雷力工:为后期景观/地点创建共享愿景

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In mining regions across the world, new topography is being built daily, layer by layer. Symbolic of the primacy of industry and economics in the past 150 years, this material is a message for future generations, recounting the history of its makers and reminding us of hundreds of thousands of workers who spent their time digging massive holes in pursuit of essential resources. The new topography is often absurdist. There are no artists, designers or community advocates involved in creating alternate shared visions. It is important to reflect on what this means for the future of these innumerable sites and, more broadly, the state of the land in a postmining future. Currently, rehabilitation of postmined land focusses on restoring the site to its original ecological (but not aesthetic) state prior to the mining intervention. With a growing disconnect between satisfying ecological needs and envisioning an appropriate response to the landscape, there is a critical need for creative intervention. This paper investigates perceptions of mining and postmining landscapes, questioning the aesthetically driven emphasis on the "natural." It proposes instead an opportunity to reframe the way we look at overburden and landscape impacts from mining, exploring the possibility of imagined postmine landscapes unburdened by traditional aesthetic expectations. Concepts from Land Art, and Earthworks in particular, are presented as models that merit serious consideration for reimagined space and novel place making. These mine works landscapes, conceived by regional stakeholder round tables, have the capacity to be built by regional mining consortia as a foundation for sustainable postmining economies. Postmine regeneration offers both the motivation and the basic materials to create an altogether new environment from a blank slate. Few circumstances allow the opportunity to truly explore a reenvisioning of the land on the monumental scale available in these postmined landscapes.
机译:在世界各地的采矿区,每天都会建造新的地形,逐层建成。过去150年的工业和经济学的象征性,这种材料是对后代的信息,叙述了其制造商的历史,并提醒我们数十万工人,他们花费了挖掘了基本资源的挖掘了大规模漏洞。新的地形往往是荒谬的。没有参与创建替代共享愿景的艺术家,设计师或社区倡导者。重要的是要反思这意味着对这些无数场地的未来以及更广泛地,在后期未来的土地的状态。目前,在采矿干预之前,后期土地重点关注其原始生态(但不是审美)国家的康复。由于满足生态需求和对景观的适当响应之间的越来越突破,因此需要创造性干预。本文调查了对矿业和后期景观的看法,质疑在审美的“自然”中的精神强调。它提出了一个让我们看待矿业的覆盖层和景观影响的机会,探索传统审美期望的想象的后景观景观的可能性。诸如土地艺术的概念和土方,尤其是对重新传达的空间和新颖的地方的认真考虑的模型。这些矿山作品景观,由区域利益攸关方圆桌会议设想,区域采矿联盟作为可持续后期经济的基础。后期再生提供了从空白板岩创建完全新环境的动机和基础材料。很少的情况允许有机会真正探索这片土地的再生,以便在这些后期景观中提供的巨大规模。

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