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Relationship between 'Three Perspectives' of Chinese Traditional Landscape Painting and Rockery Space of the Su Zhou Huanxiu Villa

机译:“三角”与苏周华秀别墅的中国传统景观绘画与假山空间之间的关系

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Study of Chinese traditional gardens often comes across such a "bottleneck" —the archaeological map of the landscape is very meticulous, but the research or the speculation of the reason of expression of the garden is not enough.Now the drawbacks of those not deep or not enough "specific" led to the interpretation of the garden often mixing with a phenomenon of Western theory.This paper tries to study the association and the relationship between Chinese traditional landscape painting and Rockery space of Su Zhou Huanxiu Villa in the aspects of "Three perspectives" under the context of traditional Chinese landscape painting, then to prove the relationship between two-dimensional expressions and representation of space in Traditional Chinese landscape painting and the designs of Chinese garden rockery space the real three-dimensional physical space.
机译:中国传统花园的研究经常遇到这样的“瓶颈” - 景观的考古地图是非常细致的,但研究或猜测的花园表达的原因是不够的。现在,那些没有深刻的人的弊端不够“具体”导致花园的解释经常与西方理论的现象混合。这篇论文试图研究苏周华旭别墅中国传统景观绘画和假山空间之间的关联和关系“三“在传统中国景观绘画的背景下,”中国园林假山空间中的空间二维表达与空间的思想与真正的三维物理空间的设计关系。

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