首页> 外文会议>International symposium on architectural interchanges in Asia;Architectural Institute of Japan;Architectural Society of China;Architectural Institute of Korea >Relationship between 'Three Perspectives' of Chinese Traditional Landscape Painting and Rockery Space of the Su Zhou Huanxiu Villa
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Relationship between 'Three Perspectives' of Chinese Traditional Landscape Painting and Rockery Space of the Su Zhou Huanxiu Villa

机译:中国传统山水画“三个视角”与宿州环秀山庄假山空间的关系

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Study of Chinese traditional gardens often comes across such a "bottleneck" —the archaeological map of the landscape is very meticulous, but the research or the speculation of the reason of expression of the garden is not enough.Now the drawbacks of those not deep or not enough "specific" led to the interpretation of the garden often mixing with a phenomenon of Western theory.This paper tries to study the association and the relationship between Chinese traditional landscape painting and Rockery space of Su Zhou Huanxiu Villa in the aspects of "Three perspectives" under the context of traditional Chinese landscape painting, then to prove the relationship between two-dimensional expressions and representation of space in Traditional Chinese landscape painting and the designs of Chinese garden rockery space the real three-dimensional physical space.
机译:对中国传统园林的研究常常遇到这样的“瓶颈”-景观的考古图非常细致,但是对园林表现形式的研究或推测的理由还不够。 “特有的”不足导致对园林的诠释常常与西方的理论现象相融合。本文试图从“三个”方面研究中国传统山水画与宿州环秀山庄假山空间的联系和关系。然后在中国传统山水画的背景下研究“透视”,以证明中国传统山水画的二维表达与空间表现之间的关系,以及中国园林假山空间设计中真实的三维物理空间。

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