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Reconstruction of Monumental Painting of the Church on Nereditsa Hill in the City Novgorod the Great: Methodology of Painting and Virtual Reconstruction Combination

机译:Novgorod城市诺德斯萨山教会纪念碑绘画的重建伟大:绘画方法论与虚拟重建组合

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There are many architectural monuments that cannot be restored due to different reasons, such as difficulty and complexity of the work or lack of information about the object. Saint-Petersburg State University developed a method of restoration of partially or completely lost monumental paintings. New methodology was applied to fresco paintings of the Church Spas-na-Nereditse in the city Novgorod the Great, which were almost completely destroyed during the Second World War. The extant parts consist of 325,000 pieces and its manual restoration is still very far from completion. In the process of virtual reconstruction researchers have used two methods: computer-based reconstruction and analog pictorial reconstruction. The first method provides plausibility, whereas the second method helps us to simulate the ancient process of painting, to convey the artist's style, reproduce the form, direction and strength of the artist's touch. The methodology may open new possibilities for the restoration of other fresco ensembles.
机译:由于不同的原因,有许多无法恢复的架构纪念碑,例如工作的难度和复杂性或对对象的信息缺乏信息。圣彼得堡州立大学开发了一种恢复部分或完全丢失的纪念碑绘画的方法。新方法应用于诺夫哥罗德市教堂水疗中心的壁画绘画,在第二次世界大战期间几乎完全摧毁。现存部件包括325,000件,其手动恢复仍然远未完成。在虚拟重建研究人员中使用了两种方法:基于计算机的重建和模拟画面重建。第一种方法提供了合理性,而第二种方法有助于我们模拟古代绘画过程,传达艺术家的风格,再现艺术家触摸的形式,方向和力量。该方法可能开辟恢复其他壁画集合的新可能性。

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